John Taylor As it is

John Coltrane - 8 Atlantic Album Collection (1959-62) [8CD] {2006 Japan Mini LP 24-bit Remaster}
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© 2006 Atlantic / Warner Music Japan | WPCR-25101~08
Jazz / Hard Bop / Post Bop / Avant-Garde Jazz / Saxophone

History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked by essentially two different trios.

Years Apart album by Martin Taylor was released Jun 30, 2009 on the Linn Records label. Years Apart CD music contains a single disc with 12 songs…

Rendezvous With the Blues marks another step in the normalization of Melvin Taylor. With Lucky Peterson on keyboards, Taylor is much more the featured lead guitarist in a straight-band context that too often finds him fighting for room to move in the full arrangements. He takes a jazzy lead on the opening "Coming Home Baby," but that runs counter to the measured, mid-tempo groove that dominates the first three tracks and seems like a move to court the contemporary rock-blues audience. So does some of the material – no originals, with ZZ Top, Stephen Stills, and Carlos Santana's tribute to John Lee Hooker in the songwriter credits on one side and Charles Singleton and Prince for contemporary black funk/rock relevance on the other. Horns kick in to punctuate the slinky, clavinet-anchored funk on "I'm the Man Down There," but Taylor's solo gets cluttered up by a duel with Peterson (on guitar here). Taylor is better-served when he escapes the rock beat straitjacket on "Tribute to John Lee Hooker" – the Latin-tinged rhythms give his guitar more freedom to float and sting.

Chicago-based guitarist Melvin Taylor is a star in Europe, but it may take some time for U.S. audiences to catch on to just how phenomenally talented a bluesman he is. Part of the problem for Taylor may be his own natural eclecticism. He's equally adept playing jazz or blues, but in the last few years, he's forged a name for himself as a blues guitarist with a slew of releases for Evidence Music. Taylor may well be the most talented new guitarist to come along since Stevie Ray Vaughan.

London-based singer-songwriter Sean Taylor is a musician’s musician, admired as much for his creative blend of Americana and folk as for his distinctive guitar-playing and his willingness to tackle social issues through sound. He has toured across the globe, supporting the likes of Tony Joe White, Richard Thompson and John Fogerty. Now, several albums on from 2006’s debut Corrugations, Taylor is back with Lockdown, a set recorded at home, with overdubs from long-time collaborator Mark Hallman, who provides bass, organ, lap-steel and harmonica, and saxophone by Joe Morales. While other artists have taken inspiration from the turbulence of 2020, Taylor looks the coronavirus, with all its political and social implications, square in the eye.