Johnny Cash

In 1986, after almost 30 years on Columbia Records, Country music legend Johnny Cash released his first album on Mercury Records – Class Of ’55, in collaboration with fellow Sun Records alumni Roy Orbison, Jerry Lee Lewis and Carl Perkins. Seven years later, his last recording before signing with Rick Rubin’s American Recordings would be another collaboration, “The Wanderer”, with U2. In the years that span those recordings, Johnny Cash released a total of six albums for Mercury Records. The highlights of that output are presented here, on the brand new compilation Easy Rider: The Best Of The Mercury Recordings. Now remastered for the very first time, using the original Mercury master tapes, the 24 tracks that make up the set feature Cash’s updated interpretations of classics songs “Get Rhythm” and “Tennessee Flat Top Box”, the rare B-side “Veteran’s Day”, Elvis Costello’s “The Big Light”, and his collaboration with U2, “The Wanderer”.

12 straight-shootin' classics from the most adventuresome man in country music. This compilation picks up the songs after he left Columbia in 1986 and signed with Mercury.

Mastered from the Original Master Tapes and Limited to 2,500 Numbered Copies: Sonically Superb SACD Presents the Music in True-to-the-Original Mono.

Mastered from the Original Master Tapes and Limited to 2,500 Numbered Copies: Sonically Superb SACD Presents the Music in True-to-the-Original Mono.

Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history – as he would later illustrate with his series of historical albums – that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles.

Compiled and designed in the manner of Love, Murder, and God, three thematically compiled Johnny Cash anthologies released to wide acclaim in the spring of 2000, Life brings together 18 songs from Cash's back catalog that in one way or another deal with the nuts and bolts of many people's existence – home, nation, work, family, surviving hard times, and celebrating good times. Of course, the nature of this theme is broader and not nearly as cleanly defined as the themes of the three previous sets, and a few of these songs might have fared better elsewhere – "Where Did We Go Right" and "You're the Nearest Thing to Heaven" would have fit nicely on Love, while "I Talk to Jesus Everyday" and "Lead Me Gently Home" would not feel out of place on God. But as a summation of the broad and idiosyncratic worldview of Johnny Cash, Life fares very well indeed; Cash could set a protest song like "The Ballad of Ira Hayes" or "Man in Black" next to the fiercely patriotic "Ragged Old Flag" and see no contradiction, and celebrate the importance of hard work ("Country Trash") while savoring the sweet prospect of punching out the boss ("Oney").

Recorded July 28, 1990 at The Paramount Theatre, Asbury Park, New Jersey.

Johnny Cash was in the unenviable position of being a living legend who was beloved by fans of classic country music without being able to interest anyone in his most recent work when he was signed to Rick Rubin's American Recordings label in 1994…