Jones, Peter

In this instance, "deluxe collection" denotes six songs that blues guitarist Peter Malick recorded with vocalist Norah Jones before she hit it big, a (previously released) EP's worth of material padded here into a two-disc, 31-cut set of radio edits, club mixes, dub mixes, and DJ remixes, with only eight of them previously unreleased. (There are nine versions of the set-opening "New York City" alone.) The material stretches itself pretty thin, as the equal billing given Jones with Malick (the only two members of the "Peter Malick Group" who appear throughout) aims to attract Norah Jones completists or tempt those who might confuse this with one of her own releases.

In this instance, "deluxe collection" denotes six songs that blues guitarist Peter Malick recorded with vocalist Norah Jones before she hit it big, a (previously released) EP's worth of material padded here into a two-disc, 31-cut set of radio edits, club mixes, dub mixes, and DJ remixes, with only eight of them previously unreleased. (There are nine versions of the set-opening "New York City" alone.) The material stretches itself pretty thin, as the equal billing given Jones with Malick (the only two members of the "Peter Malick Group" who appear throughout) aims to attract Norah Jones completists or tempt those who might confuse this with one of her own releases.

In this instance, "deluxe collection" denotes six songs that blues guitarist Peter Malick recorded with vocalist Norah Jones before she hit it big, a (previously released) EP's worth of material padded here into a two-disc, 31-cut set of radio edits, club mixes, dub mixes, and DJ remixes, with only eight of them previously unreleased. (There are nine versions of the set-opening "New York City" alone.) The material stretches itself pretty thin, as the equal billing given Jones with Malick (the only two members of the "Peter Malick Group" who appear throughout) aims to attract Norah Jones completists or tempt those who might confuse this with one of her own releases.

As modern big-band leaders go, Quincy Jones in the '60s would be first choice for many composers who wrote for a television series or the cinema. Though not the original themes, Jones was quite able to produce a full album featuring Henry Mancini's famous songs from movies and the small screen. This collection of the familiar and obscure Mancini done in 1964, preceded famed epic scores written by Jones from films The Pawnbroker and The Deadly Affair. It comprises several well-known hit tunes and a smattering of cuts not easily identifiable as the hummable and memorable Mancini classics…

As with the other volumes in Blank & Jones' 12"-oriented So80s series, the selections here are mostly from the first half of the '80s, and they balance major pop hits with relatively deeper cuts as a way to catch the interest of a wide listening base. This fourth volume includes extended mixes of Gang of Four's "Is It Love," the Cure's "Close to Me," and Orchestral Manoeuvres in the Dark's "Telegraph," as well as alternate mixes of ABC's "King Without a Crown," Propaganda's "Dr. Mabuse," and Act's "Snobbery and Decay." The CD edition contains a DJ mix from the German duo, while tracks are provided unmixed on discs two and three.