Joni Mitchell Shadows And Light

4 Blu-ray Set Featuring Remastered Hi-Res Stereo, Dolby Atmos mixes by Grammy® Award Winning producer Ken Caillat and Claus Trelby, and Quad Mixes of FOR THE ROSES (1972), COURT AND SPARK (1974), MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). A brand new 2023 Quad Mix of FOR THE ROSES was done by Bruce Botnick.

4 Blu-ray Set Featuring Remastered Hi-Res Stereo, Dolby Atmos mixes by Grammy® Award Winning producer Ken Caillat and Claus Trelby, and Quad Mixes of FOR THE ROSES (1972), COURT AND SPARK (1974), MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). A brand new 2023 Quad Mix of FOR THE ROSES was done by Bruce Botnick.

For the third album collection of the Joni Mitchell Archives project, The Asylum Albums (1976-1980) covers what is arguably the knottiest and most challenging period in a career known for being knotty and challenging. While there are certainly fans who have a preference for Mitchell's diaristic/post-folk sounds of the late '60s/early '70s Reprise era or the exploratory fusions of pop and jazz of her first three Asylum albums, most of those fans can find space to love all (or at least most) of the work she released between 1968 and 1975. Utterly unbound by genre formality or commercial considerations—and also very explicitly chafing at the expectations put upon her by the music business—these three studio albums (and one equally unapologetic live album) proved to be much more divisive.

Enjoy nearly 100 unreleased recordings tracing Joni's groundbreaking work from the birth of Hejira to her legendary collaborations with jazz luminaries on this 6-CD box set. Featuring newly unearthed demos and studio outtakes from the era, live tour recordings from '76 & '79, and studio session contributions from the likes of Charles Mingus and Herbie Hancock, plus a 36-page booklet of unpublished photos and liner notes in conversation with Cameron Crowe.

Enjoy nearly 100 unreleased recordings tracing Joni's groundbreaking work from the birth of Hejira to her legendary collaborations with jazz luminaries on this 6-CD box set. Featuring newly unearthed demos and studio outtakes from the era, live tour recordings from '76 & '79, and studio session contributions from the likes of Charles Mingus and Herbie Hancock, plus a 36-page booklet of unpublished photos and liner notes in conversation with Cameron Crowe.

'The Asylum Albums (1972-1975)', the next instalment in the Joni Mitchell archive series, explores the beginning of that prolific era. The collection features newly remastered versions of 'For the Roses' (1972), 'Court and Spark' (1974), the double live album 'Miles of Aisles' (1974), and 'The Hissing of Summer Lawns' (1975). All four were remastered by Bernie Grundman.

By the time Joni Mitchell made The Hissing of Summer Lawns, she had already entered the pantheon of the greats, with albums that can be talked about in casual conversation without having to say the artist (Court and Spark, Blue, Ladies of the Canyon, et al.). But the pioneering work in alt-folk and self-confessional singer-songwriting done, she started pushing her music in radical directions, incorporating jazz, African music (which was hard to actually hear in the States in the ‘70s) and a new, sprawling vision of pop music into her fold. The first moment that all those styles converge and lift Mitchell off into some new vista is The Hissing of Summer Lawns, an album we believe to be her masterpiece, an album that has tendrils of influence that are still being felt today. Remastered by Ryan Smith at 2xLP 45RPM from original tapes, this edition has to be heard to be believed.

'The Asylum Albums (1972-1975)', the next instalment in the Joni Mitchell archive series, explores the beginning of that prolific era. The collection features newly remastered versions of 'For the Roses' (1972), 'Court and Spark' (1974), the double live album 'Miles of Aisles' (1974), and 'The Hissing of Summer Lawns' (1975). All four were remastered by Bernie Grundman.

By the time Joni Mitchell made The Hissing of Summer Lawns, she had already entered the pantheon of the greats, with albums that can be talked about in casual conversation without having to say the artist (Court and Spark, Blue, Ladies of the Canyon, et al.). But the pioneering work in alt-folk and self-confessional singer-songwriting done, she started pushing her music in radical directions, incorporating jazz, African music (which was hard to actually hear in the States in the ‘70s) and a new, sprawling vision of pop music into her fold. The first moment that all those styles converge and lift Mitchell off into some new vista is The Hissing of Summer Lawns, an album we believe to be her masterpiece, an album that has tendrils of influence that are still being felt today. Remastered by Ryan Smith at 2xLP 45RPM from original tapes, this edition has to be heard to be believed.

A folk singer with a poet's spirit, Joni Mitchell is among music history's most poignant and influential songwriters. A veteran of the '60s folk circuit, Mitchell first came to prominence as a songwriter, composing oft-covered tunes of the era "Chelsea Morning," "The Circle Game," and "Both Sides Now." By the time Judy Collins brought the latter into the charts in 1968, Mitchell had released her David Crosby-produced solo debut, Song to a Seagull. Mitchell became part of Los Angeles' folk-rock scene, but worked from a different compositional aesthetic, utilizing alternate guitar tunings and writing from a stark personal perspective. These qualities shone on Clouds, a self-produced 1969 LP that won the Grammy for Best Folk Performance, setting the stage for her 1971 masterpiece Blue, an album that has served as the cornerstone of introspective singer/songwriter music since the '70s.