José Menor

Ha estudiado con grandes maestros entre los que cabe destacar Miguel Trápaga, Gerardo Arriaga, José Luis Rodrigo, Antonio Duro y Fernando Rodríguez.

It was at 9 o’clock on the morning of 25 October 1832, in the village of María in the Spanish
province of Almería, that Antonia Local París gave birth to a son. That same day, held in the arms
of his godmother Manuela Ganíguez Robles, the baby was baptised Julián Gabino de Arcas Lacal
by the local priest, Pedro Manuel García Martínez, at the Church of Our Lady of the Incarnation.
Julián’s father, Pedro Arcas Arjona, was a talented guitarist, trained in the method of the great Spanish master Dionisio Aguado (Madrid, 8 April 1784–Madrid, 20 December 1849), and he passed his passion for the instrument on to his sons Julían and Manuel. As well as becoming a fine guitarist, the latter was also a singer who achieved great success at the Teatre Principal in Barcelona, the city in which he settled and lived until his death in 1890. In 1844, the Arcas family moved to Málaga, where Julián began lessons with José Asencio, a highly respected teacher who had studied directly with Aguado.

On his latest cpo CD Korstick dedicates himself to the Argentine composer Alberto Ginastera with great passion and virtuosity. This CD, released on the hundredth anniversary of Ginastera’s birth comprises of the composer’s complete published piano oeuvre – apart from his Piano Sonata No. 2.

Publicación que adoptaba como título un adjetivo que durante el primer tercio de siglo iba a determinar una literatura menor y forma de entender la vida entre lo erótico y lo picaresco, además de lo libidinoso y hasta pornográfico, y que fue fuertemente criticada por la publicística ultracatólica.

El objeto propuesto en estas líneas pretende tributar desde un especifico y diminuto punto de mira, al interés de ubicar y juntar piezas para articular la memoria histórica del Derecho Administrativo latinoamericano y, con mayor especificidad y menor ambición, la del Derecho Administrativo cubano.