Filmmaker-svengali Josef von Sternberg escalates his obsession with screen legend Marlene Dietrich in this lavish depiction of sex and deceit in the eighteenth-century Russian court. A self-proclaimed “relentless excursion into style,” the pair’s sixth collaboration follows the exploits of Princess Sophia (Dietrich) as she evolves from trembling innocent to cunning sexual libertine Catherine the Great. With operatic melodrama, flamboyant visuals, and a cast of thousands, this ornate spectacle represents the apex of cinematic pageantry by Hollywood’s master of artifice.
Like so many campaigners before him, GARY COOPER joins the Foreign Legion to "forget." At a smoky cabaret in Morocco, Cooper meets café entertainer Marlene Dietrich (making her American film debut). A woman with a very checkered past, Dietrich toys with the callow Cooper, but eventually falls hopelessly in love with him, even to the extent of throwing over wealthy Adolphe Menjou. The now-famous final image of Morocco finds la Dietrich, decked out in her cabaret finery and wearing high heels, heading after Cooper's regiment across the desert with the rest of the "camp followers"..
Une étude de l'exotisme et de la représentation de l'Orient dans l'oeuvre cinématographique de Josef von Sternberg. L'auteur interroge l'orientalisme du réalisateur tel qu'il se manifeste dans sa vie et dans cinq de ses films, avec une analyse fouillée de The saga of Anatahan, l'histoire d'un groupe de soldats japonais refusant d'admettre la défaite pendant la Seconde Guerre mondiale. …
Director Josef Von Sternberg and his greatest discovery, Marlene Dietrich, worked together for the last time on this historical melodrama, which was a notorious and controversial box-office flop in its day. Antonio Galvan, a young military officer, meets a mysterious and alluring woman named Concha Perez and soon falls under her seductive spell. Antonio excitedly confesses his love for Concha to his friend Don Pasqual, an older and higher-ranking officer. Pasqual is horrified when he learns of Antonio's infatuation; years ago, he met Concha, and it was the start of a long and disastrous relationship in which the cold-hearted woman would repeatedly lure him into her romantic web..
"The Blue Angel" will always have a place in film history as the movie that brought Marlene Dietrich to international stardom. At the time it was made, at the birth of the sound era in 1929, it was seen as a vehicle for Emil Jannings, the German actor who had just won the first Academy Award for best actor. Dietrich's overnight stardom inspired distributors to recut the film, ending it with one of her songs instead of his pathetic closing moments, and this restored version shows the entire film for the first time in years.
Contemporary viewers who go into Dishonored expecting a musty, dated espionage melodrama will be in for a surprise. Marlene Dietrich delivers a subtle and witty performance as a Viennese prostitute who offers her services as a spy during WWI. As "Agent X-27" our heroine proves invaluable to her superiors, seducing and betraying enemy officers with the greatest of ease. But when she falls in love with Russian spy Lt. Kranau (Victor McLaglen), she permits him to escape her clutches, and as a consequence is sentenced to be executed..
Josef von Sternberg est à l'origine d'une des carrières les plus accidentées de l'histoire du cinéma américain. Après des années d'assistanat, il tourna l'un des premiers films indépendants, claqua la porte de plusieurs plateaux, partit filmer en Allemagne, en Angleterre puis au Japon, découvrit Marlene Dietrich, fut monteur pour d'autres et directeur de la photographie pour lui-même, réalisa un peu partout des morceaux de films, dégringola plusieurs fois les marches de la gloire pour les remonter une à une. …