The life of the Russian composer Alexey Stanchinsky makes for a sad read. Afflicted by mental illness, initially brought to a head by the death of his father, he met an untimely end in October 1914 next to a stream. The exact circumstances remain unclear to this day. What is certain is that he was only 26 years old, and had already made an impression with the musical cognoscenti of the time, being admired by the likes of Prokofiev and Medtner. As a teenager he had benefited from the tutelage of such distinguished figures as Josef Lhévinne and Alexander Grechaninov, and later at the Moscow Conservatoire with Sergei Taneyev and Konstantin Igumnov. Although he was acutely receptive to the musical influences of the day, he wasn't slow in finding his own individual voice. Having said that, I can hear echoes of Rachmaninov and Scriabin in these works, the melodic generosity of the former and the adventurous harmony of the latter.
Culled from New York Philharmonic broadcasts spanning 75 years, this remarkable 10-disc compilation testifies to the strong-willed yet chameleon-like orchestra's virtuosity and versatility under a diverse assemblage of podium personalities. Stylistically speaking, the earlier items are the most interesting, revealing, for instance, a more vibrant Otto Klemperer and freer Arturo Toscanini than their later commercial efforts sometimes suggest. Other artists are heard in repertoire which they otherwise didn't record: Fritz Reiner's Brahms 2nd, Leonard Bernstein's Berg and Webern, and a wrenching concert version of Bartók's Bluebeard's Castle under Kubelík's direction, to name but a few. From program notes to transfer quality, not one stone is left unturned to ensure first-rate results.
The box set comprised 100 volumes featuring 72 pianists of the 20th century, each volume with two CDs and a booklet about the life and work of the featured pianist. The set contains a variety of composers from different eras, from Baroque to Contemporary classical.