These performances are every bit as searching and exhilarating as the Lindsay’s previous Haydn recordings for ASV. Theirs is chamber-music-making of unusual recreative flair, untouched by the faintest hint of routine. Many quartets still seem to treat Haydn as an agreeable aperitif to the ostensibly meatier fare later in the programme. But both live and on disc the Lindsay bring to the composer the same dedication and interpretative insight that mark their playing of Beethoven or late Schubert.
Recorded at a 1980 concert in Munich, Urban Bushmen not only provides an excellent summation of the Art Ensemble of Chicago's work since 1966, but also substantiates the group's reputation for putting on intense and inspired shows. The album centers around three extended pieces: reed player Joseph Jarmen's "Theme for SCO," the group's "Urban Magic," and reed player Roscoe Mitchell's "Uncle." Over the course of these multi-part "suites," the group effectively blurs the lines between jazz and free jazz, deftly working through New Orleans' marches, turbulent hard bop, highlife/reggae rhythms, and minimalist sound sculptures; while Jarmen, Mitchell, and trumpeter Lester Bowie come up with consistently varied and surprising solo/tandem contributions.