‘Luther’s Wedding Day’ attempts to reconstruct a programme of music that may have been played at the great German religious reformer’s marriage. It is performed by the highly-regarded early music ensemble Capella de la Torre and its leader/musical director Katharina Bauml. The disc features pieces by some of the greatest composers of the time including Josquin Desprez, Heinrich Isaac, Ludwig Senfl, and Johann Walter.
…and the album as a whole would serve that goal well. It leaves the listener understanding the Renaissance sacred a cappella repertory better than he or she did before playing it. Strongly recommended. All notes and texts are in English, French, German, and Dutch.
…and the album as a whole would serve that goal well. It leaves the listener understanding the Renaissance sacred a cappella repertory better than he or she did before playing it. Strongly recommended. All notes and texts are in English, French, German, and Dutch.
SEON (Studio Erichson) is a period music label by the legendary producer Wolf Erichson. Erichson founded the label in 1969 as one of the first labels dedicated only to authentic music. The recordings were made with the best available recording techniques of the time and still deliver a high quality product in line with today's standards. This special boxset offers all SEON CD reissues from the late 90s on 85 CDs in a limited edition boxset.
For the ancient Greeks, the water did not come simply from the ground; No, it had divine beings - the water nymphs. These legendary nymphs inhabit also in Renaissance and Baroque arts as mythical remnants of a lost world where all natural phenomena always had a divine nature.
Sixteenth-century Spanish composer Francisco Guerrero is featured in a reissued disc of motets for four, five, six, eight and 12 voices, with and without instruments. They come from a handful of collections published between 1555 and 1597 and show Guerrero’s skill in evoking a wide range of moods, joyful, sombre and contemplative in turn. Jordi Savall’s ensemble is well-equipped to project the skilfully wrought structures and expressive allure of the music. Some of the pieces fare better than others in respect of vocal texture and ensemble. Tenors and basses occasionally lack tonal refinement but, at their strongest the performances provide a radiant conspectus of Guerrero’s masterly motets.
World premiere. The name of Noel Bauldeweyn is not often found among the extraordinary phenomena of an exceptionally rich generation of composers around 1500; this recording may well be the first entirely devoted to his works. And yet Bauldeweyn’s music is characterised by a very individual sound as well as an assured handling of the formal requirements of cyclic settings of the Mass ordinary. The wide geographic distribution of surviving works in choir books belonging to the Papal and Bavarian chapels as well as in the splendid manuscripts originating from Petrus Alamire’s atelier testifies to the reputation he enjoyed among his contemporaries.
As with Bach’s The Art of Fugue performed by the Berlin Saxophone Quartet (9990582), this is an alternate interpretation of some early music, this time it’s the music of the Renaissance. Music by composers such as Palestrina, Dowland, Gabrielli, Frescobaldi, Desprez and many more have been arranged for four saxophones.