What you get on this release by veteran countertenor Dominique Visse and the Capella de la Torre is something less accessible than what is suggested by the Vinum et Musica title but more accessible than the pedantic subtitle "Songs & dances from Nuremberg sources (15th & 16th century)." The collection of pieces here is a sort of tour of the city of Nuremberg, an important German city in Renaissance times but not one that was home to its own compositional school.
‘Luther’s Wedding Day’ attempts to reconstruct a programme of music that may have been played at the great German religious reformer’s marriage. It is performed by the highly-regarded early music ensemble Capella de la Torre and its leader/musical director Katharina Bauml. The disc features pieces by some of the greatest composers of the time including Josquin Desprez, Heinrich Isaac, Ludwig Senfl, and Johann Walter.
SEON (Studio Erichson) is a period music label by the legendary producer Wolf Erichson. Erichson founded the label in 1969 as one of the first labels dedicated only to authentic music. The recordings were made with the best available recording techniques of the time and still deliver a high quality product in line with today's standards. This special boxset offers all SEON CD reissues from the late 90s on 85 CDs in a limited edition boxset.
World premiere. The name of Noel Bauldeweyn is not often found among the extraordinary phenomena of an exceptionally rich generation of composers around 1500; this recording may well be the first entirely devoted to his works. And yet Bauldeweyn’s music is characterised by a very individual sound as well as an assured handling of the formal requirements of cyclic settings of the Mass ordinary. The wide geographic distribution of surviving works in choir books belonging to the Papal and Bavarian chapels as well as in the splendid manuscripts originating from Petrus Alamire’s atelier testifies to the reputation he enjoyed among his contemporaries.
Jordi Savall has brought us yet another treasure on his own Alia Vox label, this time a mixed bag of music by Reformation Era composers and a handful of slightly earlier works. It’s all taken from a concert program Savall gave last year under the aegis of “greatest hits of the court of Charles V”. The composers presented are mostly court musicians for that Holy Roman Emperor, but Josquin and Heinrich Isaac also are included, the latter as a nod to Charles’ grandfather, Maximilian I, who was responsible for getting Charles the crown. Savall combines his first-rate instrumental ensemble, updated to Hespèrion XXI, with his own vocal group, La Capella Reial de Catalunya. The results are captivating. Savall’s musicians are tops in the field, and their collective talents, constantly on display in this varied program, are simply a joy to hear.
PRO PACEM is a new CD-Book project that makes a plea for a world without war or terrorism and for total nuclear disarmament. It presents a sound mosaic that takes the form of a living dialogue of spiritually expressive vocal and instrumental music from a variety of repertoires from East (Armenia, Turkey, Sepharad, India, Israel and China) and West (Greece, Spain, England, Portugal, Italy, Estonia and Belgium).
Coinciding with the 500th anniversary of the birth of Saint Francis Borgia, Fourth Duke of Gandia, Jordi Savall and Alia Vox offer a visually lavish and artistically comprehensive new release entitled Dinastia Borgia. Savall’s latest musicological/historical quest focuses on music from the time of the Borgia dynasty, including works by composers such as Isaac, Dufay and Morales, from Pope Alexander VI/6 and two of his children, Cesare and Lucrezia, through to Francis Borgia, Jesuit priest and, perhaps, composer. For five centuries, scholars have studied and debated the role of the Borgias in Renaissance history. Although their name is synonymous with Papal corruption and they were undoubtedly malevolent and immoral, as patrons of the arts, the Borgias were also instrumental in the period’s explosive growth of culture.
Twenty years after his work on the soundtrack of Jacques Rivette's movie Jeanne la Pucelle, Jordi Savall returns to this powerful subject matter and presents a new set dedicated to the mother figure of the struggle for French independence. The music on Joan of Arc - Battles and Prisons provides the perfect atmosphere for Savall's fresh look this historical icon. Alongside works by composers from the time of Joan of Arc (Guillaume Dufay, Josquin Desprez, Johannes Vincenet, Johannes Cornago, etc.), the set also features compositions and arrangements by Jordi Savall. The biographical program of the set is further illustrated through spoken dialogue. The accompanying 500 page, six language hardbound book is richly illustrated and provides historical perspective as well as texts and translations. The result is an amazingly vivid portrait of a troubled time.