Nicky Higginbottom departed Paul Brett's Sage after the release of the band's eponymous debut album, and with her went the haunting flute that gave much of the album such a rich, pastoral sound. But the band was already moving in a new direction, exploring rock's roots and the genre's many permutations. Jubilation Foundry welds Sage's varied influences onto their sleeves, from "Cottage Made for Two," an homage to the Everly Brothers, to the gospel fired "Help Me Jesus" and the Stax inspired "Hold My Hand Mother." There are tributes to Southern blues and Southern rock, nods to singer/songwriters Cat Stevens and Harry Nilsson, and even a tip of the hat to the Beatles. With the group here sporting rich harmonies, the emphasis is on great songs in a variety of musical veins and moods, with singalong choruses, memorable melodies, and flashy musicianship evident throughout the album.
Jubilation is a revealing, wonderful collection of the Holmes Brothers' distinctive soul. The brothers tie together a seemingly disconnected array of styles – everything from straightforward blues, R&B, and gospel to worldbeat and country – and come up with a cohesive whole. Even when the group delves into soukous or works with a Chinese flutist, it manages to retain the pure qualities of American blues and R&B.
Nicky Higginbottom departed Paul Brett's Sage after the release of the band's eponymous debut album, and with her went the haunting flute that gave much of the album such a rich, pastoral sound. But the band was already moving in a new direction, exploring rock's roots and the genre's many permutations. Jubilation Foundry welds Sage's varied influences onto their sleeves, from "Cottage Made for Two," an homage to the Everly Brothers, to the gospel fired "Help Me Jesus" and the Stax inspired "Hold My Hand Mother." There are tributes to Southern blues and Southern rock, nods to singer/songwriters Cat Stevens and Harry Nilsson, and even a tip of the hat to the Beatles. With the group here sporting rich harmonies, the emphasis is on great songs in a variety of musical veins and moods, with singalong choruses, memorable melodies, and flashy musicianship evident throughout the album.
Jubilation: Great Gospel Performances, Vol. 1 offers a first-rate introduction and overview of the key players in Black gospel, including stellar performances by Mahalia Jackson, the Soul Stirrers, the Swan Silvertones, Shirley Caesar, Aretha Frankline and James Cleveland, and many other wonderful artists.
Like the title says, there's more of the same as the first volume, including The Staples Singers, the Original Gospel Harmonettes, Prof. Alex Bradford, the Harmonizing Four, Sam Cooke with the Soul Stirrers, and more.
While the first two volumes in the series spotlighted the history of African-American gospel, this volume peeks over the other side of the fence and sheds the light on six decades' worth of country gospel performances. It's all top-notch, too, with Hank Williams' "I Saw the Light" spearheading an 18-track collection that includes classics from Kitty Wells, Roy Acuff, Bill Monroe, Patsy Cline, Johnny Cash, the Carter Family, the Louvin Brothers, Webb Pierce, and Martha Carson. That gospel is a long-running tradition in country is exemplified by the inclusion of tracks from modern stars like Ricky Skaggs and Tony Rice, Doyle Lawson and Quicksilver, the Nitty Gritty Dirt Band, and old guard like Buck Owens, George Jones and Tammy Wynette, and Ernest Tubb. A delightful set.