This collection encapsulates Judas Priest's debut (ROCKA ROLLA) and a majority of their classic sophomore album (SAD WINGS OF DESTINY) for Gull Records, along with an early version of "Diamonds and Rust," and mixes them all up in the running order. Seeing as it's missing "Epitaph," "Island of Domination" and the immortal "Ripper" from SAD WINGS, this CD does not allow one to get the band's first two albums in one package. However, the ROCKA ROLLA tracks have been remixed (some fans argue that they are better) and the title track re-edited, and those changes along with the track arrangement and fantasy-inspired cover art make this package worthwhile for obsessive collectors, even though the gatefold vinyl edition was actually more visually striking…
Judas Priest, the heavy metal legends whose influence on generations of musicians and metalheads is incalculable, celebrate their 40th year as recording artists with the global cinema release of the live concert EPITAPH. Epitaph is a great place to get all the Judas Priest classics that you know and love in one collection – live of course. The Priest is Back!
The legacy of the father of fetish rock has finally been reviewed! With the cream of the music industry on hand with their insights, we present the music, the sex, the leather and the scandals! "Living After Midnight" and "Breaking the Law" are just two of the classic heavy metal songs that British rockers Judas Priest are best known for. This entry in the Music in Review series takes a look at the band's remarkable achievements and some of the controversy they have generated over the years.
Judas Priest was one of the most influential heavy metal bands of the '70s, spearheading the New Wave of British Heavy Metal late in the decade. Decked out in leather and chains, the band fused the gothic doom of Black Sabbath with the riffs and speed of Led Zeppelin, as well as adding a vicious two-lead guitar attack; in doing so, they set the pace for much popular heavy metal from 1975 until 1985, as well as laying the groundwork for the speed and death metal of the '80s.
After the failed experiment of Turbo, Judas Priest toned down the synths and returned to the basics, delivering a straight-ahead, much more typical Priest album with Ram It Down. The band's fan base was still devoted enough to consistently push each new album past the platinum sales mark, and perhaps that's part of the reason Ram It Down generally sounds like it's on autopilot. While there are some well-constructed songs, they tend toward the generic, and the songwriting is pretty lackluster overall, with the up-tempo title track easily standing out as the best tune here. And even though Ram It Down backed away from the territory explored on Turbo, much of the album still has a too-polished, mechanical-sounding production, especially the drums. Lyrically, Ram It Down is firmly entrenched in adolescent theatrics that lack the personality or toughness of Priest's best anthems.