Julien Gernay Vinophony

Romain Leleu and his musical partner Julien Gernay, captivated by the sounds of the unique instruments in the Musée de la musique, invite us on a whirlwind tour around the land of the French trumpet and cornet. Other musicians have joined them to add a touch of horn and trombone to these pieces, whether originals or transcriptions of emblematic works from a ‘Belle Époque’ indeed!

Romain Leleu and his musical partner Julien Gernay, captivated by the sounds of the unique instruments in the Musée de la musique, invite us on a whirlwind tour around the land of the French trumpet and cornet. Other musicians have joined them to add a touch of horn and trombone to these pieces, whether originals or transcriptions of emblematic works from a ‘Belle Époque’ indeed!

Romain Leleu and his musical partner Julien Gernay, captivated by the sounds of the unique instruments in the Musée de la musique, invite us on a whirlwind tour around the land of the French trumpet and cornet. Other musicians have joined them to add a touch of horn and trombone to these pieces, whether originals or transcriptions of emblematic works from a ‘Belle Époque’ indeed!

Romain Leleu and his musical partner Julien Gernay, captivated by the sounds of the unique instruments in the Musée de la musique, invite us on a whirlwind tour around the land of the French trumpet and cornet. Other musicians have joined them to add a touch of horn and trombone to these pieces, whether originals or transcriptions of emblematic works from a ‘Belle Époque’ indeed!

Live performances of the laureates of the 2017 first Queen Elisabeth Cello Competition. This album contains orchestral performances of the final with the Brussels Philharmonic, conducted by Stéphane Denève, as well as Haydn’s Cello concertos of the semi-final session with the Orchestre Royal de Chambre de Wallonie conducted by Frank Braley. Chamber music performances during the first round and the semi-final session can also be heard, solo or with piano / cello accompaniment. The 2017 Queen Elisabeth Cello Competition was won by the French cellist Victor Julien-Laferrière, the Japanese Yuya Okamoto was ranked 2nd and the Columbian Santiago Cañón-Valencia 3rd; they are followed in the ranking by Aurélien Pascal (France, 4th Prize), Ivan Karizna (Belarus, 5th Prize) and Brannon Cho (USA, 6th Prize). The 6 other laureates, as well as 3 semi-finalists, are completing the program of this album.

Passionate about music from an early age, he starts the sax in an original way. This brilliant instrument was placed on his desk, like a treasure full of gold coins. Professional since 1994 (at 20 years) he recorded three solo albums but 35 as a guest. He also arranges and writes parts of brass for singers or singers. Julien Petit is also a complete artist who plays comedy, dances and makes his show with the big company "Precious Diamond". Complete show with choreographic paintings, singing tricks, great illusion and musical performances, numerous performances throughout France. See site in the Contact tab.

Fils d'un père haut fonctionnaire à l'Unesco et d'une mère d'origine guadeloupéenne, il est l'interprète de nombreuses chansons d'Étienne Roda-Gil. Il est le demi-frère de Gérard Leclerc, journaliste politique à France 2.

To mark the 300th Anniversary of the publication of Book I of The Well-Tempered Clavier, Julien Libeer had the idea of presenting it in an unusual light: here he initiates a dialogue in which Bach’s major- key prelude-and-fugue pairs ‘converse’ with later pieces (in the corresponding minor keys) by composers who, in their own way, have built upon the advances Johann Sebastian made in his foundational undertaking.

While Marin Marais is best known for his works for viola da gamba, he also composed for the flute; Michael Lynn's recent rediscovery of manuscripts containing pieces for flute and basso continuo as well as duets caught the attention of Francois Lazarevitch and Les Musiciens de Saint-Julien, who now present the first recordings of these works.

While Marin Marais is best known for his works for viola da gamba, he also composed for the flute; Michael Lynn's recent rediscovery of manuscripts containing pieces for flute and basso continuo as well as duets caught the attention of Francois Lazarevitch and Les Musiciens de Saint-Julien, who now present the first recordings of these works. "This virgin territory did not open up to me straight away, and only did so after an ongoing exploration that took me more than a year…