The Tubes' way-out-there '70s recordings they did for A&M! Here are their essential oddities Don't Touch Me There; White Punks on Dope; Prime Time; Mondo Bondage; Slipped My Disco; Pound of Flesh; Turn Me On , and more!
Digitally remastered and expanded edition of this 1983 album including five bonus tracks. Commercial success had finally arrived for The Tubes with the release of Completion Backward Principle. The rock radio airplay and Top 40 success generated by that release set the stage for a return to the studio with producer David Foster attempting to recapture the magic for Outside/Inside. The band did not disappoint as the album came screaming out of the gate with "She's a Beauty", the biggest hit the band would ever have. The single went Top 10 and was a #1 rock record so the band now had both sides of the FM/AM dial fully covered.
EMI-Capitol Special Markets' Lost Hits series is unusual, as far as budget-line series go. Usually, budget-line collections have a few hits and a lot of filler, topping out at ten or 12 tracks. Lost Hits contains no less than 20 tracks, and instead of relying on predictable material, the compilers have balanced underappreciated hits, cult favorites and forgotten singles from the EMI vaults, resulting in a thoroughly entertaining disc. Lost Hits of the '80s sticks to mainstream pop for most of its 20 tracks, but there are jangle-pop singles (the Grapes of Wrath's "Oh Lucky Man"), new wave (Total Coelo's "I Eat Cannibals"), prog- rock (Marillion's "Kayleigh"), rockabilly revival (Phantom, Rocker & Slick's "Men Without Shame") and lots of pop-rock, hard rock and arena rock from the likes of John Taylor, the Pursuit of Happiness, Martha Davis, the Jon Butcher Axis, the Tubes, Rob Jungklas, Vixen, Red Rider, Industry, Amy Holland and Glass Tiger. There might not be many songs that are instantly recognizable, but that's the very reason why it's worth a gamble at this bargain price.
"‘The A&M Years’ is a 5 CD, 59 track round up of The Tubes time with A&M Records between 1975-79, which includes the self titled debut album which gave them a worldwide hit in ‘White Punks On Dope’. Each disc comes in a replica cardboard wallet of its original LP artwork. Follow ups ‘Young And Rich’, ‘Now’, and the Todd Rundgren produced ‘Remote Control’. Always a sensational live act, the in-concert album ‘What Do You Want From Live’ completes the set. Housed in a sturdy box, each disc comes in a replica cardboard wallet of its original LP artwork along with a booklet containing pictures of all the records plus in-depth liner notes by Classic Rock’s Dave Everley."
Produced by Al Kooper, this debut by the notorious San Francisco group is best known for the blazing anthem "White Punks on Dope". The Tubes were arch satirists of popular culture whose outrageous performance-art concepts -- which swung wildly from soft-core pornography to suit-and-tie conservatism -- frequently eclipsed their elusive musical identity. The beginnings of the group originate in Phoenix, Arizona in the late '60s, where guitarist Bill Spooner, keyboardist Vince Welnick and bassist Rick Anderson formed as the Beans (alternately billing themselves as the Radar Men from Uranus). After moving to San Francisco in 1972, the Beans recruited guitarist Roger Steen and drummer Prairie Prince (from Red, White & Blues), and later became The Tubes with the addition of Michael Cotten on keyboards and former roadie Fee Waybill on lead vocals.