Juliette Et Juliette

Another feather in the Dutoit/Montreal/Decca cap, not least for the sound engineers' achievement in so brilliantly capturing the mammoth sonorities of the Symphonie funebre et triomphale (whose first performance Berlioz conducted walking backwards at the head of his huge wind-and-percussion band, though—alas for the legend!—with a baton, not a sword). For concert hall, rather than open air performance he later added strings and a chorus, and it is this version that is adopted here (as it was in Colin Davis's 1969 Philips recording). Splendid as that issue was, this new one even surpasses it in clarity and impact, with its majestic brass chords and a chorus that adds incisively to the final climax.

Chicoutimi, mai 1949. N’ayant jamais pris mari, Juliette Villeneuve vit toujours avec sa mère, dont elle prend soin alors qu’elle est mourante. Quand elle fait appeler un prêtre pour lui administrer les derniers sacrements, la vieille fille reconnaît son amour de jeunesse. Forcé par ses parents à rejoindre les ordres, Joseph Lajoie l’avait quittée vingt ans plus tôt, sans savoir qu’elle portait son enfant et qu’elle s’était vue contrainte de l’abandonner à la naissance. …

Michael Tilson Thomas and the San Francisco Symphony bring unsurpassed storytelling and musicality to their latest recording on the Grammy Award-winning SFS Media label: Berlioz’s dramatic symphony Roméo et Juliette. With a narrative that Berlioz deemed “too beautiful, too musical” to not be performed, this impassioned orchestral scoring of love and despair is further enriched by the vocals of Sasha Cooke, Nicholas Phan, Luca Pisaroni, and the SFS Chorus. Available in studio master-quality on two-disc SACD and for digital download and streaming.