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Although The Moment followed four years after Kenny G's blockbuster Breathless, the saxophonist didn't change his approach at all during his time off. Kenny G remains a sweet, melodic instrumentalist, who works entirely in lush, slick adult contemporary pop settings. His playing has improved somewhat in those four years – he soars and dives with effortless skill, and his vibrato remains fleet and elegant – yet after The Moment is finished, you wish that he had tried some new musical territories. That said, it is true that The Moment ranks second to only Breathless in terms of sheer consistency in Kenny G's catalog, thanks to the sustained vision of producer Babyface. Of particular note are the two vocal collaborations (Babyface's "Everytime I Close My Eyes," Toni Braxton's "That Somebody Was You"), which are the best duets to yet appear on any of Kenny G's records.

Older is the third studio album by English singer-songwriter George Michael, released on 13 May 1996 in Europe by Virgin Records and Aegean Records one day later in the United States. The American release was the first album released by DreamWorks Records. It was Michael's first studio album since 1990's Listen Without Prejudice Vol. 1 – the five-and-a-half-year gap was due to the legal battle that Michael experienced with his former record company Sony Music. Michael dedicated three years to the recording of Older, and the album found him exploring new musical territories in a more serious fashion compared to his previous work. At the time of release, the album was a huge commercial hit, particularly in Europe, but was received in America with lukewarm commercial approval. In the UK, the album was particularly notable for producing a record six top three hit singles in a two-year span.

Anyone who thinks of Humble Pie solely in terms of their latter-day boogie rock will be greatly surprised with this, the band's second release, for it is almost entirely acoustic. There is a gently rocking cover of Buddy Holly's "Heartbeat," and a couple of electrified Steve Marriott numbers, but the overall feel is definitely more of the country than the town or city. "The Sad Bag of Shaky Jake" is a typical Marriott country ditty, similar to those he would include almost as a token on each of the subsequent studio albums, and "Every Mother's Son" is structured as a folk tale. On "The Light of Love," Marriott even plays sitar. Peter Frampton's contributions here foreshadow the acoustic-based music he would make as a solo artist a few years later. As a whole, this is a crisp, cleanly recorded, attractive-sounding album, totally atypical of the Humble Pie catalog, but well worth a listen.

When Procol Harum's ninth studio album, Something Magic, was released in March 1977, it sold poorly and was largely dismissed, with the group breaking up at the end of the promotional tour for it. With this reissue more than 30 years later, annotator Roland Clare argues it is "in need of outright reappraisal." He doesn't actually make that case, but he does explain the circumstances that led to the debacle. After its previous album, Procol's Ninth, produced by Jerry Leiber and Mike Stoller, Procol Harum might have been expected to go back to a more conventional approach; instead, the group hired the hot studio of the day, Criteria in Miami, and its hot resident producers, Ron and Howie Albert.

Procol's Ninth is the eighth studio album (ninth including Live) by Procol Harum, and was released in August 1975. Produced by songwriters Jerry Leiber and Mike Stoller, Procol's Ninth featured a slightly different direction from the previous album, with a much starker sound than Chris Thomas's more elaborate productions. According to an interview with guitarist Mick Grabham, conducted by Roland Clare for the 2009 reissue, Leiber and Stoller focused less on the production sound and more on "the structure of the songs". The band appeared on the cover of the album in a straightforward unassuming photograph, mirroring the sound of the album itself. The cover featured simulations of each band member's signature.

Procol Harum's seventh studio album, Exotic Birds and Fruit, was released in April 1974. In its original LP incarnation, four songs made up side one – "Nothing But the Truth," "Beyond the Pale," "As Strong as Samson," and "The Idol" – all of which featured some of the band's best later work. They had retreated somewhat from the orchestral hybrid of their previous album, Grand Hotel, although "Nothing But the Truth" still boasted a string arrangement.