Keith Jarrett Treasure Island

Treasure Island, released in early 1974, was the second of two albums pianist and composer Keith Jarrett recorded for Impulse Records – the first was Fort Yawuh, issued a year earlier. Cut at Generation Sound Studios in New York City, the band consisted of Jarrett on piano and soprano saxophone, Dewey Redman on tenor, bassist Charlie Haden, and drummer Paul Motian. And though he would more than likely disagree, this was the best band he ever led. In addition to the quartet, guitarist Sam Brown contributes to a pair of cuts here as Guilherme Franco and Danny Johnson add percussion to the mix. The set kicks off with the beautiful "The Rich (And the Poor)," a folkish melody of the type Jarrett was exploring on ECM at the time, with some stellar African undertones – it's easy to hear the majesty of Abdullah Ibrahim's South African musical sphere in this mix, and earthy deep, sparer work by Redman and Haden.

Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has also been a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music. In 2003, Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His album, The Köln Concert, released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll.

This whopping 30-CD box set gathers together the best of Trojan's three-disc box set series. Included are the Ska, DJ, Dub, Instrumentals, Jamaican Superstars, Lovers, Producer Series, Rocksteady, Roots, and Tribute to Bob Marley volumes, each of which can be found under Trojan Box Set for their individual reviews. What's lacking here is a booklet with additional notes and information; the bulk seems to demand some extra coverage and care, yet all that's here are the original notes of each volume – only as much text as can fit on the back of the CD sleeves. From a music standpoint, however, this box is excellent; a truly diverse and comprehensive collection. Of the 500 songs, less than ten reappear on another volume, so you get a more-than-satisfying amount of music spanning the history of the Trojan label.