Kim Simmonds

Kim Simmonds' outlet for his electric blues-rock remains the on-again off-again Savoy Brown. Therefore he uses his solo albums, of which this is the third, to elaborate on the acoustic Delta blues generally ignored by his full-time outfit. Unlike Eric Clapton, who has consistently returned to this unplugged music throughout his career, Simmonds seems driven to explore his acoustic blues roots only since 1997. Simmonds uses this outlet to play predominantly self-penned material, with a few obscure covers thrown in. Accompanied by subtle piano, bass, and drums, the guitarist/vocalist commands center stage with his dusky yet emotional, talk-sung vocals, somewhat like J.J. Cale. Simmonds' guitar work is consistently classy, substituting the flash and boogie impulses of his extensive work as leader of Savoy Brown with a more thoughtful, measured playing that perfectly fits these terrific folk-blues tunes.

No matter the title of this Ruf Records outing, Kim Simmonds, founder, guitarist, and eternal frontman for Savoy Brown, is going straight for its Chicago mojo to deliver this set of scorching electric blues. Aided and abetted by his now longstanding road band – comprising bassist Pat DeSalvo and drummer Garnet Grimm – Simmonds' Savoy Brown comes full circle from its 1965 roots as a British band won over to the loud, gritty sounds coming across the ocean from Chess Records. Opener "Laura Lee," is in the classic Windy City tradition, as inspired by Hound Dog Taylor's house rockin' style as they are Muddy Waters', while "Just a Dream" recalls the moody, slow burning attack of Son Seals.

Jazzin' On The Blues is guitarist Kim Simmonds' fifth solo album release. Known as the founder and continuing leader of the legendary blues/ rock band Savoy Brown and with a star on the Rock Walk of Fame, Kim Simmonds is recognized globally as one of the world's finest guitar players. He is also known as one of the very first musicians from the UK to re-invent the blues in the mid-sixties (post-The Rolling Stones) with music that continues to be an influence today. Many of his original songs are still played on radio, on TV and in movies. CSI, HBO's Vinyl, and a recent Jimi Hendix movie biopic, giving life once again to his many songs.

Real music is hard to find. If you've ever felt suffocated in the age of fakery and hype, then Savoy Brown's latest album The Devil To Pay is a blast furnace. Driven by classic blues and age-old human truths - but dragged into contemporary relevance by stinging musicianship and modern savvy - Kim Simmonds' new songs have arrived when we need them most. "In many ways," considers the legendary guitarist, "this is the best album I've ever done. It's fresh and new, and belongs to the twenty-first century". Released on Ruf Records in 2015 - and marking Savoy Brown's 50th year as pack-leaders of the British blues scene - 'The Devil To Pay' was born during a white-knuckle burst of inspiration.

Originally given a limited release in 2004, this Savoy Brown (featuring Kim Simmonds) live album, recorded in Vancouver, Canada, now gets a full national release. The album features wonderful concert versions of the Savoy Brown classic songs,Hellbound Train,Street Corner Talking and Poor Girl. Besides those tracks, we get to hear Kim Simmonds, a master guitarist, extend on the blues Where Has Your Heart Gone, an eleven minute opus! The original sleeve notes from Kim are included with almost sixty minutes of music. Rock/blues at its finest, this CD is a must for new and old fans alike.

Sadly, we lost Kim Simmonds just this past December, but he lives on thanks to Quarto Valley Records who has released Blues All Around, his final album with his legendary blues rock band, Savoy Brown. The new album from one of the longest running blues rock bands in existence follows Savoy Brown’s critically acclaimed 2022 album, Ain’t Done Yet. Shortly after the new album was completed, Savoy Brown founder, guitarist/ singer/songwriter Kim Simmonds lost his hard-fought battle with cancer on December 13th, just a week after turning 75. While recuperating from his initial cancer treatments, Simmonds had begun work on the new album that was to become Blues All Around.