Solo includes Michael’s first four solo projects, Flammende Herzen, Sterntaler, Katzenmusik and Fernwärme, a Soundtracks and a Remixes & Live album (only with the vinyl boxset). Speaking about the release, Michael said: ‘I’m incredibly excited to announce my new boxset ‘Solo’. The opportunity to release my first four solo albums, as well as some new music in one package is amazing. This is a body of work that I’m very proud of.’
Mitzi M.performs the music of the French harpsichordists masterfully on a magnificent, two-manual harpsichord built in the 18th century by Benoist Stehlin. - Audio-CD, Includes booklet with 32 pages in English, German and French.
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.
Ton Koopman is not only one of the great fathers of the Baroque-Renaissance revival in the 1970’s, but a true pioneer of our time. After completing the Bach Cantatas survey, was he awarded the Bach Prize 2014 by the Royal Academy of Music. The prize is awarded to outstanding individuals in the performance and scholarship of Bach’s music and none could be more worthy than Koopman, who has been noted as doing ”remarkable work promoting Bach’s music in the last thirty or so years.”
Rhino chips away at more rock nostalgia of the surface variety. This time out, both the '70s and '80 are pilfered for chart-toppers by Foreigner, Foghat, the Romantics, Bad Company, Lynyrd Skynyrd, and the Knack. Thankfully, despite the agitprop cover art, one is spared any overriding theme here, save for a virtual romp through an '80s mods (read: new wavers) and rockers party. And there's even a bit of hip-hop by Tone-Loc, and some proto-lounge swing from Buster Poindexter to bolster the mix. But, the bulk here will be best enjoyed by muscle-car driving heshers who don't mind hearing their favorite Frampton or Joe Walsh cut yet one more time.
It all started in 2010. I had asked Eamon Ore-Giron - aka DJ Lengua - if he would be interested in compiling a Latin project for Analog Africa, and if so, if he had a theme in mind. He replied, "Have you ever heard of Rebajada?" The question mark above my head, together with the wall of China, must have been the only other object visible from out of space because Eamon, probably noticing I got paralysed, continued, "Rebajada in Spanish means "to reduce, lowered". It's basically Mexican sonideros (sound-system operators) slowing down the beat of a Cumbia to create a much more tangible music to dance to. I'll send you a mix I made last year and let me know what you think." And so he did.
Though it may seem unlikely that Frank Zappa had much of an influence on the work of Lalo Schifrin, one can detect some cultural crossover on There's a Whole Lalo Schifrin Goin' On. Schifrin was as much a jazz-pop genius as ever, but on this album rock rhythms, musical satire, sound effects, and exotica are all used as camp in a way that is eerily reminiscent of Zappa's more thoughtful efforts. Schifrin being Schifrin, every cut has a distinct and catchy melody, but there are whimsical and satirical themes embedded in the music. Nowhere is this more obvious than in "Hawks Vs. Doves," in which a cheery carnival-like theme is played in counterpoint to a martial air, each interfering with the other.