Koopman Cantatas 13

Catherine Manson, Ton Koopman - J.S. Bach: 6 Sonatas for harpsichord and violin BWV 1014-1019 (2012)

Catherine Manson, Ton Koopman - J.S. Bach: 6 Sonatas for harpsichord and violin BWV 1014-1019 (2012)
WEB | FLAC (tracks) - 630 MB | 01:39:15
Genre: Classical | Label: Challenge Classics

The world-renowned early music specialist and keyboard player Ton Koopman and the violinist Catherine Manson perform the six Sonatas for Harpsichord and Violin, BWV 1014-1019 of Johann Sebastian Bach on this new 2-CD set for Challenge Classics. Their previous collaboration on the label was an outstanding recording of the music of Buxtehude. Catherine Manson enjoys a versatile performing career specialising in period performance as a soloist, chamber musician and orchestral leader. She became the current leader of the Amsterdam Baroque Orchestra in 2006, and as first violinist of the London Haydn Quartet has been involved in a critically acclaimed series of recordings of the Haydn quartets for Hyperion.
Klaus Mertens, Tini Mathot & Ton Koopman - Willst Du Dein Herz Mir Schenken (2019)

Klaus Mertens, Tini Mathot & Ton Koopman - Willst Du Dein Herz Mir Schenken (2019)
WEB FLAC (tracks) - 350 Mb | MP3 CBR 320 kbps - 167 Mb | 01:12:58
Classical, Vocal | Label: Challenge Classics

2019 – An Anniversary Year. For three exceptional musicians 2019 brings cause for great joy and gratitude for several reasons. Ton Koopman, internationally renowned as a harpsichordist, organist, conductor, professor and musicologist, celebrates his 75th birthday.
Ton Koopman - Buxtehude: Opera Omnia II (Vocal Works 1) (2CD) (2006)

Ton Koopman - Buxtehude: Opera Omnia II (Vocal Works 1) (2CD) (2006)
EAC Rip | FLAC (image+.cue, log) ~ 349.29 Mb + 283.12 Mb + 25.90 Mb (Scans) | 74:26 + 62:23
Classical sacred | Label: Challenge Records - CC72241

In this second volume (double-cd) of the Opera Omnia of Dieterich Buxtehude, Ton Koopman gives us his new reconstruction of Buxtehudes only surviving Abendmusik, this oratorio, also called "Das Jungste Gericht", that survived without attribution as an incomplete set of parts in the Uppsala University Library. As the style is similar to Buxtehudes lost Abendmusiker, this oratorio is almost certainly from his hand.
Ton Koopman - J.S. Bach: Six Partitas for harpsichord (Clavier Übung I) BWV 825-830 (2012)

Ton Koopman - J.S. Bach: Six Partitas for harpsichord (Clavier Übung I) BWV 825-830 (2012)
WEB | FLAC (tracks) - 1 Gb | 02:24:23
Genre: Classical | Label: Challenge Classics

For a long time Baroque and Bach specialst Koopman wanted to record this masterpieces of Bach and now was the time to do it! Recorded in the trusted and beautiful-sounding Walloon Church in Amsterdam. My recording of Bach’s harpsichord partitas was a long time in coming. The main reason was a lack of time (recording Bach’s complete organ works, complete cantatas and Dieterich Buxtehude’s Opera Omnia required much time and attention). Another factor was my respect for these masterpieces by Bach – they are not something to just fit in between other projects. I already had plans to record them in the 1990s, for Erato, and now that I finally am able to, it is for my own label.
Masaaki Suzuki - Bach Complete Sacred Cantatas Box 1 Vols.01-10: Erschallet, Ihr Lieder! (2009)

Masaaki Suzuki - Bach Complete Sacred Cantatas Box 1 Vols.01-10: Erschallet, Ihr Lieder! (2009)
Classical | MP3 CBR 320 kbps | 2,12 Gb
Label: BIS Records | Release Year: 2009

Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and musical director of the Bach Collegium Japan. He also teaches and conducts at Yale University and has conducted orchestras and choruses around the world. He was born in Kobe to parents who were both Christians and amateur musicians; his father had worked professionally as a pianist. Masaaki Suzuki began playing organ professionally at church services at the age of 12.
Bach: Complete Works - Hänssler Edition Bachakademie - Vol. 13 - Cantatas
Vol. 13: 4 CDs | 2000 | APE + CUE | Booklets: 136 MB | 1.3 GB

A very different set than Teldec's Bach 2000. The Hanssler Bachakademie, supervised by Helmut Rilling, is not HIP (historic instruments performance). The orchestras are warm and lush (but not huge). The soloists are, in general, extraordinary. The tempos are sane. Hanssler has included fragments of some incomplete BWV's that are not included in the Teldec set; a minor plus but appealing. I found I preferred these traditional instruments and the daring using of forte-piano in place of harpsichord on a few of the recordings (flute sonatas). Highlights for me are The Well-Tempered Clavier Books 1 and 2, Musical Offering, Flute Sonatas, The Motets. I also found I prefer these Cantatas recordings to any other, including the new Koopman, Suzuki and the well-known Leonhart-Harnoncourt. While not the newest recordings, the sound is warmer which I prefer to the new state-of-the-art HIP recordings. Although most of the Cantatas are older recordings, much of the Hanssler Bachakademie edition is newly recorded for this project and the sound is consistent and excellent.

Ton Koopman - Buxtehude: Opera Omnia XII (Chamber Music 1) (2010)  Music

Posted by Domestos at March 13, 2018
Ton Koopman - Buxtehude: Opera Omnia XII (Chamber Music 1) (2010)

Ton Koopman - Buxtehude: Opera Omnia XII (Chamber Music 1) (2010)
EAC Rip | FLAC (image+.cue, log) ~ 292.11 Mb + 19.63 Mb (Scans) | 58:47
Classical chamber | Label: Challenge Classics - CC 72251

Veteran Dutch historical-performance specialist Ton Koopman has set himself the task in his seventh decade of recording the complete compositional output of Dietrich Buxtehude. He was, in fact, elected president of the International Dietrich Buxtehude Society. Some of these recordings have been of keyboard works, but Koopman, here and elsewhere, has also led small-ensemble works from the keyboard, covering an almost completely unknown repertoire. Here he offers a set of eight unpublished sonatas for from one to three stringed instruments – not only violin and viola da gamba, but also the older violone – and basso continuo.
Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: Complete Sacred Cantatas Vol.41-45 (55CDs) [1995-2013]

Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: Complete Sacred Cantatas Vol.41-45 (55CDs) [1995-2013]
Classical | Eac. Flac, Image+Cue, Log | Scans | 1.89 GB
Label: BIS

Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances.

Ton Koopman - Batalha: Iberian Organ Music (2009)  Music

Posted by tirexiss at Sept. 15, 2017
Ton Koopman - Batalha: Iberian Organ Music (2009)

Ton Koopman - Batalha: Iberian Organ Music (2009)
EAC | FLAC (tracks+.cue, log) | Covers Included | 76:42 | 354 MB
Genre: Classical | Label: Challenge | Catalog: CC72320

Spanish and Portuguese organs are celebrated for their excellent trumpets (en chamade), but their splendid flutes, prestants, cornets, and reeds are less widely known. From the second half of the 17th century, organists in Spain and Portugal delighted in recreating the sounds of the battlefield on their instruments. The batalha has a simple harmonic structure; its interest lies principally in the stirring rhythm.
Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: Complete Sacred Cantatas Vol.51-55 (55CDs) [1995-2013]

Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: Complete Sacred Cantatas Vol.46-50 (55CDs) [1995-2013]
Classical | Eac. Flac, Image+Cue, Log | Scans | 2.02 GB
Label: BIS

Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances.