Kala

From the five-hundred-year old musical history of the Sufi Fakirs of Bengal to the virtuoso musicianship of Calcutta’s guitar master Debashsish Bhattacharya and Carnatic violinist Jyotsna Srikanth, this Rough Guide explores India’s spiritual connections with its ancient musical traditions.

For his second "solo" album, Carlos Santana used Miles Davis' famed '60s group — Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams — plus members of the current Santana band, for a varied, jazz-oriented session that was one of his more pleasant excursions from the standard Santana sound.

Recorded with musicians together live in The Eskal studio to 24 track 2 inch tape, mixed to stereo ¼ inch tape then mastered from tape to vinyl, the album is a fully analogue approach for Tiersen. “Limiting our ability to digitally manipulate, overdub or make changes after deciding a creative path gave an energy and beautiful tension to the recording process which I’d found was being lost with the limitless possibilities of digital recording. Not translating sounds into 1 and 0 keeps music in the real world.” The result is a vital album that fizzes with the excitement and energy found at a live concert, but packed into a studio album. Featuring collaborations with John Grant, Gruff Rhys from Super Furry Animals, Stephen O’Malley from Sunn O))), and Blonde Redhead, the album was recorded with touring collaborators Emilie Tiersen, Ólavur Jákupsson and Jens L Thomsen at The Eskal, the new analogue studio complex Tiersen recently built on his home island of Ushant in Brittany.