Kansas The Best Of

The Best of Kansas is the first compilation album from the American progressive rock band Kansas. It was originally released in 1984, and featured one new track, "Perfect Lover," written and performed by then-lead vocalist John Elefante…

The Best of Kansas is the first compilation album and 11th album overall from the American rock band Kansas. It was originally released in 1984, and featured one new track, "Perfect Lover," written and performed by then-lead vocalist John Elefante. The compilation was re-released in 1999 in a version supervised by the original band members, so "Perfect Lover" was dropped in favor of three additional tracks: from Song for America, Masque, and a track deleted from Two for the Show to make it fit on a single CD. The album has sold over 4 million copies in the US, and was certified quadruple platinum in 2001.

With hard rock Kansas standards like "Carry On Wayward Son" and "Point Of Know Return" and the brilliant prog-rock classics "Dust In The Wind" and "The Wall," The 1984 release of The Best Of Kansas album would go on to become one of the best-selling greatest hits albums of all time. The long out of print original version of this greatest hits masterpiece also includes the appearance of 1984's "Perfect Lover".

With hard rock Kansas standards like "Carry On Wayward Son" and "Point Of Know Return" and the brilliant prog-rock classics "Dust In The Wind" and "The Wall," The 1984 release of The Best Of Kansas album would go on to become one of the best-selling greatest hits albums of all time. The long out of print original version of this greatest hits masterpiece also includes the appearance of 1984's "Perfect Lover".

In 2016, America's eternally popular prog juggernaut Kansas returned to studio recording for the first time since their 2000 reunion outing Somewhere to Elsewhere. The resultant The Prelude Implicit also marked debuts for lead vocalist/keyboardist Ronnie Platt, and guitarist Zak Rizvi. Remarkably, it reflected the band's vintage sonic signature and songwriting/arranging chops without craven nostalgia. Four years on, Absence of Presence builds on the strengths of its predecessor, yet goes far deeper into the prog aesthetic…