Kate Bush

This Woman's Work: Anthology 1978–1990 is a compilation box set by the British singer Kate Bush. Released in 1990 on CD, vinyl and cassette; it comprises her six studio albums to that point together with two additional albums of B-sides, rarities and remixes…

One of two paired box sets chronicling the entirety of Kate Bush's recorded work as of 2018, Remastered, Vol. 2 features upgrades of the three albums since 2005: Aerial, Director's Cut, and 50 Words for Snow. In addition to these records, Remastered, Vol. 2 contains four CDs of non-album tracks, featuring a disc of 12" mixes, two discs of B-sides (labeled "The Other Side"), and a disc of covers (called "In Others' Words")…

Fierce Kate Bush fans who are expecting revelation in Aerial, her first new work since The Red Shoes in 1993, will no doubt scour lyrics, instrumental trills, and interludes until they find them. For everyone else, those who purchased much of Bush's earlier catalog because of its depth, quality, and vision, Aerial will sound exactly like what it is, a new Kate Bush record: full of her obsessions, lushly romantic paeans to things mundane and cosmic, and her ability to add dimension and transfer emotion though song. The set is spread over two discs. The first, A Sea of Honey, is a collection of songs, arranged for everything from full-on rock band to solo piano. The second, A Sky of Honey, is a conceptual suite. It was produced by Bush with engineering and mixing by longtime collaborator Del Palmer.

One of two paired box sets chronicling the entirety of Kate Bush's recorded work as of 2018, Remastered features upgrades of her first seven albums: The Kick Inside, Lionheart, Never for Ever, The Dreaming, Hounds of Love, The Sensual World, and The Red Shoes…

Proving that the English admired Kate Bush's work, 1978's Lionheart album managed to reach the number six spot in her homeland while failing to make a substantial impact in North America. The single "Hammer Horror" went to number 44 on the U.K. singles chart, but the remaining tracks from the album spin, leap, and pirouette with Bush's vocal dramatics, most of them dissipating into a mist rather than hovering around long enough to be memorable. Her fairytale essence wraps itself around tracks like "In Search of Peter Pan," "Kashka From Baghdad," and "Oh England My Lionheart," but unravels before any substance can be heard. "Wow" does the best job at expressing her voice as it waves and flutters through the chorus, with a melody that shimmers in a peculiar but compatible manner…