This is a consistently simulating trio session by the creative drummer Ralph Peterson. On "Bemsha Swing," Peterson's drumming is straight from a New Orleans parade band while "Just You, Just Me" (which features pianist Geri Allen doing her witty impressions of Thelonious Monk) has the trio playing the opening and closing melody choruses in three different tempos simulataneously. "Move" really cooks and each of the five originals (bassist Essiet Essiet's "Splash," three diverse Peterson compositions and the fairly free improvisation "Triangular") have their own personalities. Although Allen is the lead voice, the musical communication between the members of the group results in each musician having an equally important role. Highly recommended.
The mid-'80s trios for Steeplechase mark a consistent high point in Bley's now capacious output. …It's only really on Indian Summer that one feels the chemistry is just right. This is one of the pianist's periodic blues-based programmes. Engineered by Kazunori Sigiyama, who's responsible for DIW's output, it registers brightly, essential for music which is as softly pitched as much of this is. The high points are Bley's own "Blue Waltz" and an ironic "The More I See You," in which he works through variations in much the same way as he had on Caravan Suite for the same label, reconstructing the melodies rather than simply going through the changes. It's a fine record by any standards, but it stands out prominently among the later trios.