Ken Lewis

This recording was taped live in Stuttgart in 1981 and was co-produced by Cash's future son in law, Rodney Crowell. This set is special in that it brought three of the original Sun Record stars together at about the same time that the mysterious "million dollar quartet" recordings were beginning to surface. The listener will be grabbed in particular when Lewis weighs in with Whole Lotta Shakin', then the trio and the backup band, Cash's band with W.S.Holland (Perkin's original drummer) and Lewis's sideman, Ken Lovelace cook on some southern gospel standards. Lewis contributes several inspired piano solos and backs up Perkins' vocals in a way that makes him (Perkins) reach back for more.
This disc shows why Cash was, and still is pure country and why Perkins and Lewis could straddle the fence between Country and Rock'n Roll. This recording also lets us hear what might of been had someone had the foresight to capture these greats earlier, say in the early seventies. But better late than never, and that has resulted in this magnificent and very enjoyable album !!

First-ever complete career anthology of one of British pop’s most enduring backroom figures John Carter 4CD set containing his biggest hits and some fascinating misses Also includes a clutch of late ‘60s songwriting demos, several of which now receive their first physical release. First coming to prominence with his songwriting and vocal partner Ken Lewis, John Carter was a fixture on the mid-‘60s British pop scene, penning hits for the likes of Brenda Lee and Herman’s Hermits, singing backing vocals for The Who and finding success with his own group, vocal trio The Ivy League. Frustrated with the rigours of life on the road, Carter quit touring in mid-1966 to concentrate on studio work (a decision also being made around the same time by Brian Wilson and The Beatles).

Consider the great duos of the cinema, Spencer Tracy and Katharine Hepburn, Dean Martin and Jerry Lewis, Bruce Willis and Samuel L. Jackson and so on-what each successful duo has in common, is a chemistry, an attraction or spark between them. Such is the case with the musical duo of percussionist Paul Lytton and trumpeter Nate Wooley.

Ken Lewis takes you through an entire indie rock mix, start to finish with no interruptions. Ken shows you every plugin, every fader move and pan adjustment, all of the mix bus processing, and explains in depth what he is doing and why he is doing it. You see and hear the mix evolve from a single kick drum thumping into a fully finished mix ready for radio.

Dominic Lewis is reuniting with director Ari Sandel on the upcoming horror comedy Goosebumps 2: Haunted Halloween. The film starring Wendi McLendon-Covey, Madison Iseman, Jeremy Ray Taylor, Caleel Harris, Chris Parnell and Ken Jeong tells a new story based on R. L. Stine’s best-selling series of book. Rob Lieber (Peter Rabbit) wrote the screenplay. Deborah Forte (Mortal Engines, The Golden Compass) and Neal H. Moritz (Fast & Furious series, 21/22 Jump Street) are producing the project. Lewis has previously collaborated with Sandel (When We First Met) on the 2015 comedy The DUFF. Danny Elfman has scored the original 2015 Goosebumps movie. Goosebumps 2: Haunted Halloween is set to be released on October 12, 2018 by Sony Pictures.

After recent work with Drake, Kendrick Lamar, Kanye West, Rick Ross, Future, Lil Wayne, and many others, Ken Lewis presents this deep two hour tutorial on mixing trap and creating common trap effects. Ken takes you through a complete mix, faders… right down to a finished full trap song… beat and vocals. Using both stock and 3rd party plugins, Ken breaks down step by step how to create many of the most common trap effects such as…

Ken McIntyre, a very underrated multi-reedist, developed fairly original styles on alto, flute, bass clarinet, oboe and bassoon. He made two fairly well-known sessions for New Jazz in 1960 and recorded for SteepleChase from 1974-78. However, McIntyre's pair of United Artists records from 1962-63 (his only dates as a leader during 1961-73) have been long overlooked. This double CD from 1997 has all of the music from the original LPs, plus eight previously unreleased cuts. All of the selections except "Laura" and "Speak Low" are McIntyre compositions.