Kendrick

When Kendrick Lamar popped up on two tracks from Baby Keem’s The Melodic Blue (“range brothers” and “family ties”), it felt like one of hip-hop’s prophets had descended a mountain to deliver scripture. His verses were stellar, to be sure, but it also just felt like way too much time had passed since we’d heard his voice. He’d helmed 2018’s Black Panther compilation/soundtrack, but his last proper release was 2017’s DAMN. That kind of scarcity in hip-hop can only serve to deify an artist as beloved as Lamar. But if the Compton MC is broadcasting anything across his fifth proper album Mr. Morale & The Big Steppers, it’s that he’s only human.

Drummer and composer Kendrick Scott presents Corridors, a striking new album that finds the Houston-born drummer and composer paring down to a trio featuring saxophonist Walter Smith III and bassist Reuben Rogers. The anticipated follow-up to A Wall Becomes A Bridge, Scott’s much-lauded 2019 release with his band Oracle, Corridors features eight original compositions and one new arrangement of a beloved tune from the Bobby Hutcherson canon.

Pianist/composer and 2021 Guggenheim Fellow Helen Sung celebrates the work of influential women composers on her latest album Quartet+, crafting new arrangements of tunes by Geri Allen, Carla Bley, Mary Lou Williams, Marian McPartland and Toshiko Akiyoshi while carrying the tradition forward with her own stunning new works. Co-produced by violin master Regina Carter, the album pairs Sung’s quartet with the strings of the GRAMMY® Award-winning Harlem Quartet in an inventive meld of jazz and classical influences.

Although all eight selections on this CD have been played many times before (the only song not a boppish warhorse is John Lewis' "Milano"), altoist Frank Morgan makes each of the pieces sound fresh. As producer John Snyder is quoted in the liner notes, this is bop without cliches. Morgan, who is assisted by pianist Rodney Kendrick, drummer Leroy Williams and either Curtis Lundy or Ray Drummond on bass, digs into such songs as "Well You Needn't," "A Night In Tunisia" and an 11 ½ minute version of "Half Nelson," coming up with some surprising twists and plenty of viable ideas. A fine effort.

Pianist/composer and 2021 Guggenheim Fellow Helen Sung celebrates the work of influential women composers on her latest album Quartet+, crafting new arrangements of tunes by Geri Allen, Carla Bley, Mary Lou Williams, Marian McPartland and Toshiko Akiyoshi while carrying the tradition forward with her own stunning new works. Co-produced by violin master Regina Carter, the album pairs Sung’s quartet with the strings of the GRAMMY® Award-winning Harlem Quartet in an inventive meld of jazz and classical influences.

Kendrick Scott Oracle - Conviction (2013) {Concord Jazz 0888072341920}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 361 Mb | MP3 @320 -> 139 Mb
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© 2013 World Culture Music / Concord Jazz | 0888072341920
Jazz / Contemporary Jazz / Electric Jazz / Modern Creative / Drums

It has been six years since drummer Kendrick Scott and his band Oracle released their debut, The Source. On Conviction, only guitarist Mike Moreno remains. The rest of the lineup is filled out by John Ellis on tenor saxophone and bass clarinet, bassist Joe Sanders, and Taylor Eigsti on piano and Fender Rhodes. The set was produced by Derrick Hodge of the Robert Glasper Experiment. Nearly half the program is devoted to original compositions; the balance is made up of carefully chosen, wide-ranging covers. Conviction isn't a showcase for Scott's drumming skills, though he is clearly the leader – evidence of his kit work is right up front in this crystalline mix.