Kenneth Storm

"Born to Love" is a 1983 studio album of duets by American singers Peabo Bryson and Roberta Flack. It was released by Bryson's label Capitol Records on July 22, 1983 in the United States. The album yielded the hit single "Tonight, I Celebrate My Love", written by Gerry Goffin and Michael Masser. The track "Maybe" was written and recorded for the film Romantic Comedy (1983).

Digitally remastered two-fer containing a pair of albums by the R&B/Soul act on one CD: This package brings together the last two albums by Rose Royce for Norman Whitfield's label, released in 1980 and 1981. These albums feature the talents of new vocalist Richee Benson, alongside Kenny Copeland. Included is the single 'Golden Touch' as well as the full 12 minute version of the hit 'R.R. Express. The booklet features a 3000 word note by Blues & Soul contributor Tony Rounce.

Britten's first great opera, written in 1945, remains a touchstone not only for postwar opera, but also anticipates the direction that postmodern music would take later in the century. Written at a time when high modernism was in full swing, Britten bucked the trends by taking a personal, political and musically eclectic approach. It's a small story with great ramifications: A sadistic fisherman and his violent actions turn him into the bane of his community, resulting in his suicide.

Silva Screen Records presents new digital recordings performed by The City of Prague Philharmonic conducted by Nic Raine featuring Crouch End Festival Chorus (Choir Master - David Temple), also the Westminster Philharmonic Orchestra, plus The Philharmonia Orchestra conducted by Carl Davis, Neil Richardson and Kenneth Alwyn. The two CD set of twenty-eight tracks, over 130 minutes of music including such selections - "THE BRIDE OF FRANKENSTEIN" (1935-Franz Waxman) - "THE THING" (1951-Dimitri Tiomkin) - "THE EXORCIST" (1973-Mike Oldfield) - "HALLOWEEN" (1978-John Carpenter) - "THE HAUNTING" (1999-Jerry Goldsmith) evokes a string of horror and tension. As usual a few stand outs - "THE DEVIL RIDES OUT" (1968-James Bernard) Bernard's inexorable music may be simply stated, but the orchestration is venomous. This track is surely one of the most formidable and succinct realisations of the satanic in music. "SIX SENSE" (1999-James Newton Howard) this composer adopts a potent blend of richly realised Americana to subtly underscore events, never overtly signposting every narrative twist and turn.