First Key (1974). For the first time as a reissue on CD. The first and eponymous album of classical rock influenced great German krautrockers Amos Key. Amos Key owed great debts to Bach, Beethoven and Schumann, adding a heavy krautrock twist to a music closely resembling the Nice or Egg, full of angst and weird psychedelic and space-rock touches (Freeman Brothers: In A Crack In The Cosmic Egg). Amos Key lived in Munich and consisted of great organ-player Thomas Molin, congenial bass-player Andreas Gross and superb drummer Lutz Ludwig. This fairly competent outfit recorded the album on label 'Spiegelei' just after they recorded their radio sessions (Amos Key, Keynotes, The Lost Tapes, SWF Session 1973). Sadly bandleader and organ-player Thomas Molin passed away in the 90ies but bass-player Andreas Gross tells the band story in a very vivid and funny way…
"Key Largo may best be described as a group of musicians seeking to create something fresh and unique within the supposed musical boundaries of what most people would simply term blues" state the sleeve notes to their album. In fact what's on offer is pretty British blues rock produced by Mike Vernon, and released through the Blue Horizon label. with lots of harmonica, percussion and brass arrangements in places. The album includes cover versions of Willie Dixon, Alain Toussaint, B.B. King and P. Mayfield songs. Tracks include the soul/funk orientated “Give It Up” with a brass arrangement; the slow number “As The Years Go Passing By”, which features some good blues guitar work, and “Come On And Get It Baby”, written by thirties English pianist Stanley Black - an instrumental with jazzy electric piano, sharp guitar chords and percussion by Kenny Lamb who later went on to Jellybread.
This stunning box set was released by Julia Fordham, strictly limited to 500 pieces, to be ordered at her website only, already sold out, no re-release… Julia Fordham will, later this month, issue Lock & Key, a special six-CD box set that collects some of her more recent studio albums (with extra tracks) and offers her new record Cutting Room Floor.
This collection features China Blue (2008), Unusual Suspects (with Paul Reiser – 2010), Under The Rainbow (2013), the first UK release of 2014’s The Language of Love, last year’s Magic and Julia’s brand new album Cutting Room Floor. All of the albums offer exclusive bonus tracks, which 14 in total across the six CDs.
In The Key Of Joy is the first new album from Sergio Mendes in 5 years. It features an array of guests artists that join him in creating an album with the forward leaning sound that has come to define his music. Guest artists include Common, Cali y El Dandee, Buddy, Hermeto Pascoal, Roge, Guinga, Sheléa, Sugar Joans, Gracinha Leporace and Joe Pizzulo. The album accompanies the documentary by the same name, which is a joyful cinematic celebration of this singular musical artist who remains as vital and relevant today as when he exploded on the scene with his group, Brasil ’66. The deluxe edition of the album features some of his greatest hits and serves as the official soundtrack to the documentary. It features classic songs by Sergio Mendes such as Mas Que Nada, Never Gonna Let You Go, Fanfarra - Cabua-Le-Le and many more.
13 previously unissued solo acoustic demos including 5 unheard original composition, showcasing Buckley's recognisable style of acid-folk tinged with harpsichord and harmonium. Recorded in 1967, remastered from recently discovered tapes and rare acetate.
Eilen Jewell's music lives in a middle ground between vintage country and the blues, and her plain-spoken but artful songs serve as an apt reminder that there's more the two styles share than there is that keeps them apart. Jewell's sixth album, 2011's Queen of the Minor Key, is her first release since her tribute to the songs of Loretta Lynn, Butcher Holler, and while Jewell wrote all 14 songs on this set, one might guess she was thinking Patsy Cline during these sessions after previously contemplating Cline's friend Loretta.