Key to The Name of The Rose

This beautiful collection icludes portraits of 7 greek singers and songwriters, who were very popular at the 60s. They are all representatives of a musical movement with the name "New wave" (Neo kyma), that started in mid sixties and lasted for a decade. The songs were soft and tender ballads arranged mainly for voice and guitar. The singers were performing in small halls named "boites" (after the french word for the box) and often the people in the audience were singing with them. Enjoy a unique 7 hours voyage back to the years of beautiful melodies and touching feelings.

For most Americans, the history of the United States is built on a set of long-accepted beliefs about events, each of which resonates in the nation's collective memory. But what if those beliefs—however familiar—don't really tell the whole story? Our knowledge of history—or what we believe to be history—is the lens through which we view and interpret the world. And when that lens is distorted with misleading information, it has powerful effects on how we perceive the present and how we make decisions in the future, from choosing whom to vote for to interpreting the latest developments in today's news and opinion pieces.

This seven-CD collection exhaustively documents Columbia Records' first attempt at niche marketing with the Piano Moods series. Born out an impromptu marketing plan by a small Columbia Records staff in 1950, the Piano Moods series was hatched from the marketing discovery that there were more pianos than phonographs (that's record players for all you kids who don't remember vinyl LPs) in the homes of postwar America. The 12" LP had been launched a scant two years before and few titles were available. The Piano Moods series linked 20 albums of the same general type, all of them produced and sequenced by George Avakian, who had created the jazz and pop catalog on LP for Columbia beginning in 1948 – though they were originally released 33 rpm 10" discs to keep the folks with all those 10" 78 rpm discs happy when it came to storage. The sides were cut – usually – with no spirals (spaces) between tunes, giving the side a longer feel than its 17 minutes because the music was continuous. Most pianists preset their sequences and prepared introductions of the key of the preceding tune that modulated into the key of the next one.

This seven-CD collection exhaustively documents Columbia Records' first attempt at niche marketing with the Piano Moods series. Born out an impromptu marketing plan by a small Columbia Records staff in 1950, the Piano Moods series was hatched from the marketing discovery that there were more pianos than phonographs (that's record players for all you kids who don't remember vinyl LPs) in the homes of postwar America. The 12" LP had been launched a scant two years before and few titles were available. The Piano Moods series linked 20 albums of the same general type, all of them produced and sequenced by George Avakian, who had created the jazz and pop catalog on LP for Columbia beginning in 1948 – though they were originally released 33 rpm 10" discs to keep the folks with all those 10" 78 rpm discs happy when it came to storage. The sides were cut – usually – with no spirals (spaces) between tunes, giving the side a longer feel than its 17 minutes because the music was continuous. Most pianists preset their sequences and prepared introductions of the key of the preceding tune that modulated into the key of the next one.