Drawing heavily on her early-'80s peak, when she spent nine weeks at number one with "Bette Davis Eyes," Gypsy Honeymoon: The Best of Kim Carnes may not be a definitive collection, but it nevertheless is a first-rate one, containing the majority of her best-known songs. There's "Bette Davis Eyes," plus "Don't Fall in Love With a Dreamer," "More Love," "Mistaken Identity," and "Crazy in the Night (Barking at Airplanes)." While "Draw of the Cards" and "Voyeur" should have been here, this still winds up being a fairly satisfying collection for most casual fans.
Drawing heavily on her early-'80s peak, when she spent nine weeks at number one with "Bette Davis Eyes," Gypsy Honeymoon: The Best of Kim Carnes may not be a definitive collection, but it nevertheless is a first-rate one, containing the majority of her best-known songs. There's "Bette Davis Eyes," plus "Don't Fall in Love With a Dreamer," "More Love," "Mistaken Identity," and "Crazy in the Night (Barking at Airplanes)." While "Draw of the Cards" and "Voyeur" should have been here, this still winds up being a fairly satisfying collection for most casual fans.
"Chasin' Wild Trains" is the thirteenth studio album by Kim Carnes, released in 2004. It was Carnes' first full-length album since 1991's "Checkin' Out the Ghosts" which was released only in Japan and her first to be released both in the U.S. and internationally since 1988's "View from the House". "Chasin' Wild Trains" was originally released by the Sparky Dawg Music label in the U.S. and later re-issued internationally by Dutch label Corazong. The album did not chart, however.
Essential is a beautifully remastered 16-track overview of singer and songwriter Kim Carnes' eight years with EMI. Though she recorded two fine albums for A&M before, and a number of solid if underappreciated offerings for a number of labels after, Ms. Carnes is best known for the seven records she made for EMI between 1979 and 1986. Of course, her biggest hits are here: the ubiquitous pop classic "Bette Davis Eyes," "Cry Like a Baby," and "Don't Fall in Love with a Dreamer" (in duet with Kenny Rogers). But deeper than this are lesser-known but nonetheless excellent songs such as "I'd Lie to You for Your Love," "Abadabadango," "I Pretend," "Chain Letter," and the Faces-esque "It Hurts So Bad," all of them done in an nearly astonishing range of subgenres of rock and pop.