This is an eight-CD set more for Duke Ellington fanatics than for general listeners. Originally, some of the music came out as a two-LP set (Ella and Duke at the Cote D'Azur) and a single album (Ellington's Soul Call), but the great majority of the material was previously unreleased when this box came out in 1998.
Duke Ellington is featured in a complete performance at Basin Street East in New York City on this CD, as it was originally broadcast on WNEW, complete with his verbal exchanges with host William B. Williams. Unlike many of his concerts, there is no long medley of hits; instead, Ellington offers an interesting mix of old and new songs. The newer material includes his "gutbucket bolero," known as "Afro Bossa" (also titled "Bula"), featuring the gruff, muted trumpet of Cootie Williams, and the high-note theatrics of Cat Anderson. "Silk Lace" is a brisk rhumba featuring clarinetist Jimmy Hamilton, while the band (except for the rhythm section) sits out Ellington's masterful ballad "A Single Petal of a Rose."
Duke Ellington’s status as a legend is well-merited. This new release presents the star and his whole orchestra in full vigor at a 1969 Rotterdam concert. Duke Ellington & His Orchestra toured Europe in November 1969, a time when Duke was still at the top of his powers. It is a pleasure to be able to issue the whole of an excellent concert recorded in De Doelen Concert Hall in Rotterdam—a venue famous for its splendid acoustics. The ambience is remarkable on this live recording: The audience is audibly enthusiastic and these high spirits influence the band: Duke Ellington and the orchestra gave two concerts on November 7th, and even though this is the second one, the musicians sound nothing but lively and fresh.
This oddly titled CD (which was issued in 1997, hardly the 20th anniversary of Duke Ellington's death in 1974), seems to be a recording that was made by a member of the sound crew for a 1963 concert in Switzerland, including roughly the first half of the show. Although the instruments are all audible, the rhythm section is picked up far better than the reeds or brass on several selections, which also have been resequenced instead of leaving them in the order in which they were performed. On these tracks, the microphones sound as if they are at the back of the stage, making the full band sound rather muffled. Yet clarinetist Jimmy Hamilton is very audible in "Silk Lace," while members of the brass section play various percussion instruments to back violinist Ray Nance in the exotic "Guitar Amour."
Part 1. The tracks within this first of two volumes were drawn from two separate concerts recorded on the same evening at the Alhambra in Paris. Like many releases of quasi-legal origin, it is hard to say that Duke Ellington himself would have authorized the release of these performances, as there are some problems with a squeaky reed in spots. "Take the 'A' Train" is joined in progress, while there are numerous other live versions of medleys like "Black and Tan Fantasy/Creole Love Call/The Mooche" and "Kinda Dukish/Rockin' in Rhythm." That said, the band is in good form. Among the highlights are works of fairly recent vintage: "Newport Up" (showcasing a wild tradeoff of brief exchanges between Clark Terry, Paul Gonsalves and clarinetist Jimmy Hamilton), a medley of "Such Sweet Thunder" and "Sonnet to Hank Cinq," though "What Else Can You Do With a Drum" is a bit of a dud…
"In the Uncommon Market," of course, refers to Europe, where Norman Granz caught the Ellington band numerous times with his tape machines in the 1960s. But it could also refer to the unusual repertoire featured on this collection, with only one standard, "In a Sentimental Mood," in a shelfful of out of the way Ellingtonia. These tracks, of indeterminate date, come from Ellington band concerts in Stockholm, Sweden, and Pastacitta, Italy, supplemented by some rare trio selections recorded in a museum in St. Paul-de-Vence, France, for a short film on Duke and the painter Joan Miró. The famous reed players are out in full cry; clarinetist Jimmy Hamilton thrives over the cool vamp of "Silk Lace," Johnny Hodges croons and sighs as only Johnny Hodges could in the lovely Shakespearian ballad "Star-Crossed Lovers"…
La Maison du Duke is proud to present a collection of unpublished recordings of Duke Ellington, which come from an important stock of Ellington archives (Clavié collection), acquired by the association, which only a few collectors had access to today . The CDs are reserved for members of the Maison du Duke association and are not intended to be marketed.
La Maison du Duke is proud to present a collection of unpublished recordings of Duke Ellington, which come from an important stock of Ellington archives (Clavié collection), acquired by the association, which only a few collectors had access to today . The CDs are reserved for members of the Maison du Duke association and are not intended to be marketed.