King Crimson University of Texas, Arlington, Texas October 06, 1973 (2006) {2cd Dgm 16 44 Official Digital Download}

The highly lauded and honored USD Chamber Singers, directed by Dr. David Holdhusen, bear a message of resilience to Navona Records with their newest release OUT OF THE ASHES, a collection of beloved choral works given a refreshing new voice. Featuring choral favorites like Biebl’s Ave Maria, Hogan’s Ain’t That Good News, and Whitacre’s Sleep, the Chamber Singers, like a phoenix, paint a narrative of rising from the ashes after a time of destruction, rising on the wings of a song.

Christmas came early for fans of Australian psych-rock outfit King Gizzard & The Lizard Wizard. The Melbourne-based musicians dropped an unannounced album today, Live at Levitation.

Just under a month after delivering their award-winning 2016 album Nonagon Infinity, King Gizzard & The Lizard Wizard took the stage at San Francisco’s The Independent for a set both wildly frenetic and meticulously executed. In one of their final club gigs before bursting onto the international scene—soon selling out amphitheaters and headlining festivals—the Melbourne septet laid down a breakneck performance that, in the words of SF Weekly, “made every organ ache just right.” Newly unearthed by ATO Records, Live in San Francisco ’16 captures an extraordinary moment in the band’s increasingly storied history, a 13-song spectacular likely to leave every listener awestruck and adrenalized.

Colin Stetson was born and raised in Ann Arbor, spent a decade in San Francisco and Brooklyn honing his formidable talents as a horn player, eventually settling in Montreal in 2007. Over the years he has worked extensively, live and in studio, with a wide range of bands and musicians including Tom Waits, Arcade Fire, Bon Iver, TV On The Radio, Feist, Laurie Anderson, Lou Reed, Bill Laswell, Evan Parker, The Chemical Brothers, Animal Collective, Hamid Drake, LCD Soundsystem, The National, Angelique Kidjo, Fink, and David Gilmore. Meanwhile he has developed an utterly unique voice as a soloist, principally on saxophones and clarinets, his intense technical prowess matched by his exhilarating and emotionally gripping skills as a song-writer. Stetson’s astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stemming from that approach and aesthetic, he has been contributing regularly to the world of film, TV, and game scoring over the past decade with such titles as Hereditary (2018), The First (2018), Red Dead Redemption 2 (2018), Color Out of Space (2019), Barkskins (2020), Mayday (2021), Among The Stars (2021), Texas Chainsaw Massacre (2022), and Uzumaki (2022).

Garcia Live Volume 19 is a two-CD live album by the Jerry Garcia Band. It contains the complete concert recorded on October 31, 1992 at the Oakland Coliseum Arena. It is scheduled to be released on October 28, 2022.

The Orchester der Deutschen Oper Berlin's performance of Mozart's beloved opera Le nozze di Figaro under the baton of conductor Karl Böhm, released in 1968 by Deutsche Grammophon, is a timeless masterpiece.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any of the other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Pearl Jam live at Palau Sant Jordi, Barcelona, Spain, 6 July, 2024.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any of the other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.