Kingdom Come

In an era before the Page and Plant albums and Jimmy Page's reworking of Zep songs with the Black Crowes, this CD garnered a lot of attention by sounding very much like Led Zeppelin. With an audience hungry for the hard-rocking kings of the '70s, a disc billed that way was guaranteed to sell quite a few copies…

Yeah, Kingdom Come were a bit too enamored with Led Zeppelin on their first album, and their career didn't last much longer after that, but at the very least they were one of the very examples of what was storming the rock charts back in 1987-1988. Zep-styled riffs and that sorta watered-down boogie-guitar swagger were everywhere, and Kingdom Come were just one of the many bands getting loads and loads of criticism from purists. Oddly, though, the kids (for a short time) loved it, and the records sold enough to convince those at Polydor to release this collection of some of their more well-known tunes.

During the late '80s, few metal bands were as controversial as Kingdom Come. With a Led Zeppelin resurgence in full bloom around this time but Page-Plant-Jones refusing to reunite for a tour, a void was created, and groups like Kingdom Come were more than happy to fill it. With a sound that was a carbon copy of the mighty Zep, Kingdom Come scored a hit with their 1988 self-titled debut, before sinking into obscurity shortly thereafter. But throughout the '90s and early 21st century, singer Lenny Wolf kept the group afloat – touring and issuing all-new studio albums (with a rotating cast of supporting players). And to show how extensive the "unplugged craze" of the '90s was, Kingdom Come even got in the act, issuing Live & Unplugged in 1996.

Few new bands have caused as much of a stir with the release of their debut single and few have, simultaneously, generated so much backlash as German hard rockers Kingdom Come did with "Get It On." Mistaken by many fans as a reunion of the surviving members of Led Zeppelin, the quintet was derisively known to some as "Kingdom Clone." Signed to Polydor, lead singer Lenny Wolf put together a band and entered the studio with producer Bob Rock, an engineer and musician who would later find success working with Mötley Crüe, Bon Jovi, and Metallica…

"Master Seven" is the sixth album Kingdom Come released. There is more variety on this album than other Kingdom Come albums. There are the heavy songs with driving rhythms but there are also a couple "Can't Let Go" and "Gonna Try" that are a bit more mellow but still with a distinctive Kingdom Come sound…

Kingdom Come's third studio recording, Hands of Time, is essentially a Lenny Wolf solo effort. Released in 1991 by Polygram Records, the disc starts strong with a pair of gripping cuts, the emotional "I've Been Trying", and the Led Zep inspired (big surprise) five-minute "Should I"…

Throughout a chequered career Arthur Brown has never been one to play by the rules and when the chart topping The Crazy World Of Arthur Brown split nobody knew what the band’s namesake would do next. When he resurfaced several years later it was with the proto-prog, avant-garde Kingdom Come, a band so way out that time is only just catching up. Eternal Messenger: An Anthology 1970-1973 collects the band’s three albums along with a rare jam session and a disc of radio sessions to make the perfect introduction to Arthur Brown’s crazy world…

Years after any remaining U.S. interest in Lenny Wolf and his Robert Plant sound-alike voice had vanished, the singer and his "band" Kingdom Come (really just a solo vehicle for Wolf) continued to release material marketed mostly in the frontman's German homeland…

Victor Peraino's Kingdom Come evolved out of the dissolution of the legendary Arthur Brown's Kingdom Come in 1974. Peraino was the keyboard player in the album and upon returning to his homeland in Detroit, USA he somehow kept the rights to use the name for a new band he was about to set up. He recruited two bassists, two guitarists, two drummers, a flutist and with him on keyboards, lead voices and production the album "No man's Land" was recorded and released privately in 1975.
"No man's Land'" is a strange album. However its quality is undenieable, even if the leading force is Hard/Psych Rock, not unlike Peraino's experience next to Arthur Brown on "Journey", along with some powerful doses of US-styled Pomp Rock. But this is some very dense, rich, passionate and 100% progressive music…