The ten CDs are, so to speak, the antidote to our eroticly charged box '' Sex, Drugs And Alcohol '': Absolutely youthful, this new edition is full of romance, longing, love cries and the accompanying drama. The Rockn Roll era, which was otherwise so wild, has given us a lot of memorable love songs, which the young Elvis was so lucky enough to make on his first LP. He is in this box as well as many of his Rock'n'Roll-colleagues, but there are hardly any well-known singers, who have not dealt with heartache and love-passion during their career:
Jazz Ballads - the ultimate musical expression of feelings. A CD sets with the most beautiful ballads in the history of jazz. Lyrical, imaginative, sensuous and melodic jewels from the art of music. Precisely for those people who have maintained their taste for lasting musical values. Jazz in its most gentle form.
The ten CDs are, so to speak, the antidote to our eroticly charged box '' Sex, Drugs And Alcohol '': Absolutely youthful, this new edition is full of romance, longing, love cries and the accompanying drama. The Rockn Roll era, which was otherwise so wild, has given us a lot of memorable love songs, which the young Elvis was so lucky enough to make on his first LP.
Aptly titled, 'The Great Vocalists Of Jazz & Entertainment', culls 748 of the absolute finest recordings by top singers of the pre-rock era of the '30s, '40s & '50s.
Aptly titled, 'The Great Vocalists Of Jazz & Entertainment', culls 748 of the absolute finest recordings by top singers of the pre-rock era of the '30s, '40s & '50s. All recordings are digitally remastered and over 20 top names are featured, including Billie Holiday, Frank Sinatra, Judy Garland, Bing Crosby, Ella Fitzgerald, Nat King Cole, Louis Armstrong, Sarah Vaughan, Lena Horne and Perry Como. Each artist has at least one disc devoted to solely to their repertoire; most have two (Billie & Frank deservedly have three apiece). Hou sed in a sealed, full color 5' x 6' x 8' box, it contains 20 double slimline jewelcases.
When jazz vocalist Freddy Cole sings, it's with a built-in groove that's unshakeable, with warm, honeyed tones that wrap the lyrics in velvet and set them down firmly in the pocket. Cole has one great little album here; if you thought it was impossible to produce a modern-day jazz vocal album that's not infused with endless oodles-of-noodles riffing that shows you nothing except the ability of the vocalist to sing everything but the melody, be prepared for greatness. With a small combo led by pianist Cedar Walton and tenor saxophonist Grover Washington, Jr., Cole has a backdrop that never gets in the way of his magic nor does anything that doesn't help the song. Timber-wise, he owes a lot of his phrasing to his older brother, Nat "King" Cole, and Francis Albert Sinatra, but Freddy ultimately remains his own man and that's what makes this album such a success. Ten or 12 stars, at least.