One is struck by the fact that the BPO, who must have been through all this music so often, can under a conductor who obviously inspires them, produce playing that is at once so polished and so fresh. One of the very finest Wagner orchestral collections in the catalog.
By nature shy and retiring, Klaus Tennstedt was a reluctant celebrity, and his international career in the last quarter of the twentieth century must have seemed utterly incredible to him. Yet as introverted and introspective as Tennstedt was, it doesn't seem at all obvious in this 1983 concert recording of Gustav Mahler's Symphony No. 6 in A minor, "Tragic," for this is one of the conductor's most extroverted, aggressive, and potent performances.
It seems that Gary Bertini, like Gustav Mahler, is destined to be better remembered after his death than he was known during his life. When he passed away in 2005, he was little known outside Israel, Japan and continental Europe and nowhere near as widely recognised as the glamour conductors who appear on the пїЅmajorпїЅ labels. His recordings were few and hard to find. A year after his passing, Capriccio has launched a Gary Bertini Edition (see, for example, review) featuring live recordings drawn from the archives of the KпїЅlner Rundfunk-Sinfonie-Orchester, and EMI has re-released his Mahler cycle.
Medieval Baebes and other far greater shocks to the bourgeoisie have come along. Wild adventures placed under the rubric of performances of Vivaldi's Four Seasons are commonplace. Yet Nigel Kennedy continues to roost atop the classical sales charts in Europe, and even to command a decent following in the U.S. despite a low American tolerance for British eccentricity. How does he do it? He has kept reinventing himself successfully. Perhaps he's the classical world's version of Madonna: he's possessed of both unerring commercial instincts and with enough of a sense of style to be able to dress them up as forms of rebellion. Inner Thoughts is a collection of slow movements – inner movements of famous concertos from Bach and Vivaldi to Brahms, Bruch, and Elgar.