The Monteverdi Choir excels during the a capella selections (Opus 42 and 104) due to their precision tuning and group sensitivity. Brahms's deep, romantic textures and mounds of sound are most vividly experienced when no instruments join in the blend. But in the accompanied pieces (Opus 92, 17, and the Liebeslieder Waltzes, Opus 52), the chorus sounds mechanical, metronomic. The Waltzes are pleasant, but the group can't find a personal identity to enliven the expressiveness of the material; they are simply a poetic mural. Still, this disk, chock full of music, is a lot of worthwhile Brahms for your bucks.
Violinist Joshua Bell and cellist Steven Isserlis are joined by two acclaimed musical forces - pianist Jeremy Denk and the Academy of St Martin in the Fields, of which Bell is Music Director – in a landmark joint recording, For the Love of Brahms (Sony Classical). Available September 30, 2016, the new album is a unique project that features works of Brahms and Schumann that Bell calls “music about love and friendship.” Bell, Isserlis and Denk unite here in Brahms’s first published chamber work, the Piano Trio in B Major, Op. 8 in its rarely performed original 1854 version. Isserlis also joins Bell – as violin soloist and director – and the Academy of St Martin in the Fields in Brahms’s last orchestral work, the celebrated Double Concerto (for Violin and Cello) in A Minor, Op. 102. Bell, Isserlis and members of the Academy also offer the first recording of an unusual coupling: the slow movement of Schumann’s rarely heard Violin Concerto, in a version for string orchestra made by Benjamin Britten, who also added a short coda.
This recording of the complete chamber music works for clarinet by Johannes Brahms is presented with first-rate interpreters: Laura Ruiz Ferreres, one of the most gifted clarinettists of her generation, and pianist Christoph Berner. Internationally renowned cellist Danjulo Ishizaka and the Mandelring Quartet complete the superb line-up of instrumentalists for this recording.