Korg Vst

At the beginning of the 1970s, many compact monophonic synthesizers appeared on the market. However, most of them were used mainly by famous musicians who could afford rare instruments or as research devices in the academic world. KORG wanted to give the average musician the chance to experience this new type of musical instrument.

Released in 1978, the analog synthesizer MS-20 is undoubtedly one of the most famous and respected synthesizers of all time. This massive bestseller by KORG, with its fat and sticky sound, powerful self-oscillating filter, and freely adjustable patch section, is still popular with professionals and amateurs today.

The Revival of the 90’s Physical Modeling Sound. A Reproduction of the Prophecy in Software In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s.

The KORG TRITON series of synthesizer workstations was first released in 1999 to accolades and prestigious awards. Top musicians around the world loved the expressive PCM sound and used their TRITONs on countless songs. This year, on the 20th anniversary of its release, the KORG TRITON will finally be realized in software as the KORG Collection TRITON. The plug-in faithfully reproduces the HI (Hyper Integrated) synthesis system down to the smallest details and contains every one of the vast number of preset programs. Reclaim the true masterpiece sound that characterizes so many hit songs.

Brought to the market in 1981, the analog synthesizer Polysix is one of KORG’s most famous synthesizers. At that time, popular synthesizers had a polyphony of five voices. This Polysix. with six polyphonic voices (one more voice), was named directly after the determination and pride of the engineers. Sound memory, built-in effects such as chorus, phaser, and ensemble are commonplace functionalities these days, but at the time, they were considered advanced specifications, and by combining them to deliver its unique fat sound the Polysix quickly became a worldwide bestseller.

Released in 1990, the WAVESTATION is a synthesizer with an advanced vector synthesis system that could create new sounds by combining and connecting multiple waveforms. Using unique features such as using a joystick to mix and morph four oscillators, a wave sequence function that could arrange waveforms in sequences to form rhythm or melody sequences patterns, it continues to be a legendary and irreplaceable instrument to this day,

Released in 1990, the WAVESTATION is a synthesizer with an advanced vector synthesis system that could create new sounds by combining and connecting multiple waveforms. Using unique features such as using a joystick to mix and morph four oscillators, a wave sequence function that could arrange waveforms in sequences to form rhythm or melody sequences patterns, it continues to be a legendary and irreplaceable instrument to this day,

The analog synthesizer Mono/Poly, which was launched at the same time as the Polysix in 1981, combined Korg’s analog synthesizers made until then into one ground-breaking synthesizer. Although this was a monophonic synthesizer with a thick sound made up of four voices, it had a groundbreaking specification of also being able to be used as a four-voice polyphonic synthesizer, which was extremely valuable as polyphonic synths were then expensive. It was famous for having the versatility of sound creation using 4 VCO (Voltage Controlled Oscillators) combined with Polysix, such as oscillator sync and cross-modulation.

The last masterpiece of the 20th Century, revived after 20 years. A perfect reproduction of the TRITON workstation in software. The KORG TRITON series of synthesizer workstations was first released in 1999 to accolades and prestigious awards. Top musicians around the world loved the expressive PCM sound and used their TRITONs on countless songs.

The M1, released in 1988, is an epoch-making synthesizer that defined the music scene of the late 80’s and the 90s. Its synthesis system with digital multi-effects, based on high-quality PCM, featured a unique sound which was epoch-defining. In addition, as the original music workstation “all-in-one unit”, it came with an 8-track sequencer, drastically changing the composing and production style of musicians everywhere.