Kraftwerk – Die Mensch Maschine (1978)

Die Mensch-Maschine is closer to the sound and style that would define early new wave electro-pop - less minimalistic in its arrangements and more complex and danceable in its underlying rhythms. Like its predecessor, Trans-Europe Express, there is the feel of a divided concept album, with some songs devoted to science fiction-esque links between humans and technology, often with electronically processed vocals ("Die Roboter," "Spacelab," and the title track); others take the glamour of urbanization as their subject ("Neonlicht" and "Metropolis"). Plus, there's "Das Modell," a character sketch that falls under the latter category but takes a more cynical view of the title character's glamorous lifestyle…

Kraftwerk's Wolfgang Flur in collaboration with U96. There are few genres in which German artists play such a central pioneering role as they do in electronic music, be it techno, electropop, trance or rave. At the frontline for many years were Kraftwerk and U96, two absolute trailblazers of this musical direction. While Kraftwerk wrote international music history mainly in the 1970s with cult albums such as Autobahn (1974), Radio-Aktivit?t (1975), Trans Europa Express (1977) and Die Mensch-Maschine (1978), U96 had a profound influence on the global pop music, rave and techno scene of the 1990s with hits such as 'Das Boot', 'Love Sees No Colour', 'Night In Motion' and 'Heaven'./quote]