It's always difficult reviewing Krautrock, simply because Krautrock, as a genre, tends not to patch directly into the generally accepted definition of Prog Rock - it's much closer to psychedelia.
Wow!, what a fantastic DVD set it has everything a Can fan would want, three discs one mainly with a concert in 1972, the second one mainlya documentary and the third a music CD. The dvd's also have an interactive pc CDrom functions. Also their are loads of extras on each disc, a short and very humourous tribute by Brian Eno, individual interviews with the members. Short films with the members remastering specific Can tracks, you can sample the remastered tracks on the DVD. Their is the bands disography with photos of each CD, and a brief sample of one of the tracks on each respective album…
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel. Engineered by Conny Plank, it was recorded in March 1971 and released in June 1971 on Ohr.
Future Days (1973). On Future Days, Can fully explored the ambient direction they had introduced into their sound on the previous year's Ege Bamyasi, and in the process created a landmark in European electronic music. Where Ege Bamyasi had played fast and loose with elements of rock song structure, Future Days dispensed with these elements altogether, creating hazy, expansive soundscapes dominated by percolating rhythms and evocative layers of keys. Vocalist Damo Suzuki turns in his final and most inspired performance with the band. His singing, which takes the form here of a rhythmic, nonsensical murmur, is all minimal texture and shading. Apart from the delightfully concise single "Moonshake," the album is comprised of just three long atmospheric pieces of music…
This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).
Mute and Spoon are pleased to announce the release of VILLA WUNDERBAR, on 4 November 2013, a 2CD set, compiling the work of Can founder Irmin Schmidt’s solo and soundtrack work, including two unreleased Can remixes and a collection of soundtrack pieces personally compiled by long-term collaborator Wim Wenders. CD1 is a compilation of Irmin Schmidt’s extensive work as a solo artist over the past 30 years, whilst CD2 – selected and presented by the filmmaker Wim Wenders – is an insight into Schmidt’s vast work as a composer for film and television for which Wenders has written extensive sleeve notes. The two CD compilation includes tracks such as Villa Wunderbar, Kick On The Floods and Bohemian Step, alongside unreleased remixes by Schmidt of two Can tracks, Alice and Last Night Sleep.