Kreutzer Quartet

Janácek’s final decade saw an almost unprecedented creative renewal during which he wrote some of his greatest works. Among them were his chamber music masterpieces, the two String Quartets. The first was inspired by Tolstoy’s novella The Kreutzer Sonata, a torrid tale of adultery and murder to which Janácek responded with music of increasingly frenzied passion. The second was subtitled Intimate Letters, a freely evolving work full of yearning and amorous defiance. Originally cast for four violins, the two youthful Sonnets date from 1875 and balance the archaisms of the first with the lyricism of the second.

These must be among the earliest of oboe quintets, either on or off record. They are also among the least familiar; but of course not at all necessarily among the least rewarding on that account. Most rewarding is the Crussel; and it is good to see such a long-neglected composer now at last coming into his own. A divertimento as such is far from unusual for wind; but this one, in a single continuous movement (with varied sections) certainly is. The sections add up to a normal balance of (roughly) quick-slow-quick, the slow particularly effective in its evocation of Mozart's favourite G minor laments by deserted sopranos (there is a difference, though: probably none of Mozart's sopranos ever played the oboe so well as this). Throughout Crusell, himself a wind-player, treates the oboe as leader, and throughout he writes the most elegant and varied of music.

The Talich have set down the Quartets on three occasions: for Supraphon in 1990, and for Calliope in 1985 (with Kvapil's excellent account of Book I of On an Overgrown Path as coupling) and 2004 (with the Schulhoff). It is the latter which has been reissued here.

We live in a time of turmoil, flux, stress and crisis. The stresses and strains of modern life during and after the pandemic, war raging in Ukraine, climate change, energy shortages, soaring cost of living, large numbers of refugees seeking safe haven, lack of trust in our leaders – this is the reality of life in the 2020s. The Kuss Quartet’s new album draws upon music composed over the past 250 years that embraces emotional turmoil, suffering, and psychological stresses. Some of the music was composed during periods of deep personal trauma for the composers. This very same music can also bring about a mood of reflection, solace, and contemplation. This is music for our times, as powerful and relevant now as it was when new.