Krystian Zimerman

Polish pianist Krystian Zimerman returns to his roots to pay tribute to his compatriot Karol Szymanowski on the 140th anniversary of the composer’s birth. Having studied his solo piano works for decades, Zimerman presents a new album of richly varied repertoire spanning the period from 1899 to the mid−1920s. His aim is to shed new light on this less familiar aspect of Szymanowski’s output and help cement his reputation as one of the great composers of piano music.

Krystian Zimerman, Sir Simon Rattle and the London Symphony Orchestra present Ludwig van Beethoven's 5 piano concertos. The exceptional Polish pianist Krystian Zimerman, together with Leonard Bernstein, presented an outstanding reference recording of Beethoven's Piano Concertos Nos 3, 4 and 5 more than 30 years ago (1989). At the time, both agreed on their commitment to music - in mind, heart and soul - which led to an extraordinary recording. Unfortunately, Bernstein died before the cycle was completed.

Krystian Zimerman is getting better as he gets older. He used to be one of a half-dozen great young pianists, a brilliant virtuoso with tremendous expressivity, enormous soul, and a habit of making even fewer recordings than Argerich or Pollini. Over the years of ever-fewer recordings, he's grown into an astounding virtuoso and the emotional power of his interpretations have grown with his technique.

Krystian Zimerman is getting better as he gets older. He used to be one of a half-dozen great young pianists, a brilliant virtuoso with tremendous expressivity, enormous soul, and a habit of making even fewer recordings than Argerich or Pollini. Over the years of ever-fewer recordings, he's grown into an astounding virtuoso and the emotional power of his interpretations have grown with his technique.

Polish pianist Krystian Zimerman has been something of an anti-Gould, avoiding recordings in favor of live performances. This recording of Schubert's last two piano sonatas was done with a custom keyboard with which, Zimerman says, "the hammer strikes a different point of the string, enhancing its ability to sustain a singing sound – though it does also set up different overtones and the piano might sound strangely tuned."