Kudos 2 1.01

Bill Withers: The Complete Sussex and Columbia Albums celebrates the timeless artistry of an American master. The set includes the nine albums that Bill released between 1971 through 1985…

This five-disc box collects Reinhardt's first 124 recordings between 1934-1939. Curiously enough, these sides aren't chronological. Rather, while each disc's featured sessions are presented mostly chronologically, the discs themselves are rather awkwardly sequenced, with different discs covering different years in a seemingly random order. That doesn't really detract from the set's appeal, however, as this music is terrific no matter how it's presented. If there is a flaw, it's that the remastering isn't nearly as superb as the fawning front-cover quotation would lead one to believe. To his credit, however, Kendall admits that he has attempted no "enhancement" of the sound, but has instead concentrated on clearing away much of the audio rubble. His work is, in fact, generally excellent - especially on the later sides, many of which are virtually devoid of hiss…

Originally forming as Pilate in the early 2000s, the Toronto-based rock quartet Pilot Speed changed their name to such in mid-2006 to avoid possible lawsuits as their music spread internationally from their native Canada, especially due to the "litigious nature of the United States" (as taken from a message on the band's website). Pilate were born in 2000 after vocalist and New Zealand native Todd Clark left the music program at the University of Western Ontario where he'd been studying and placed an ad online for potential bandmates. Bassist Ruby Bumrah, a graduate of the Ontario College of Art and Design, answered the call, bringing with him fellow alums Chris Greenough (guitar) and Bill Keeley (drums). Citing influences like Crowded House, Radiohead, and U2 for Pilate's especially sweeping brand of melodic rock – not so dissimilar to acts like Keane, Coldplay, and Snow Patrol – they released the six-song EP For All That's Given, Wasted in the summer of 2001. It quickly sold out its initial pressing and established the guys as players in the Canadian music scene.

After the expanded instrumental scale and sonic experimentation of Court & Spark and The Hissing of Summer Lawns, Joni Mitchell reverses that flow for the more intimate, interior music on Hejira, which retracts the arranging style to focus on Mitchell's distinctive acoustic guitar and piano, and the brilliant, lyrical bass fantasias of fretless bass innovator Jaco Pastorius. Known for his furious, sometimes rococo figures beneath the music of Weather Report, Pastorius is tamed by Mitchell's cooler, more deliberate ballads: these meditations coax a far gentler, subdued lyricism from Pastorius, whose intricate bass counterpoints Mitchell's coolly elegant singing, especially on the sublime "Amelia," which transforms the mystery of Amelia Earheart into a parable of both feminism and romantic self-discovery. This isn't Mitchell at her most obviously ambitious, yet the depth of feeling, poetic reach, and musical confidence make this among the finest works in a very fine canon.

Sonny Clark's conception of modern jazz is not far removed from his peer group of the late '50s, in that advanced melodic and harmonic ideas override the basic precepts of swing and simplicity. What sets Clark apart from other jazz pianists lies in his conception of democracy to allow his bandmates to steam straight ahead on compositions he has written with them in mind. Though the bulk of this session features the marvelous trumpet/tenor tandem of Donald Byrd and Hank Mobley, it is drummer Art Blakey whose demonstrative presence is heard in full force. He's kicking the band in his own distinctive, inimitable way, rambling through the opener "Junka," based on the changes of "You Go to My Head" with his brand of bomb drops, hard accents, and indefatigable swing…