L M Studio

R.E.M. - Losing My Religion
FLAC | EAC, LOG & CUE | Full Artwork Scan (400dpi .png) | Size: 124 MB | HF + RS
Cat#: Warner 9362-40399-2 | Country/Year: Europe 1991

"Losing My Religion" is a song by the American alternative rock band R.E.M. The song was released as the first single from the group's 1991 album Out of Time. Based around a mandolin riff, "Losing My Religion" was an unlikely hit for the group, garnering heavy airplay on radio as well as on MTV due to its critically-acclaimed music video. The song became R.E.M.'s highest-charting hit in the United States, reaching number four on the Billboard Hot 100 and expanding the group's popularity beyond its original fanbase. It was nominated for several Grammy Awards, and won two for Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video.

The Complete Studio Recordings is a seven compact disc box set by American rock group The Doors, released by Elektra on November 9, 1999. It contains six of the original eight Doors albums, digitally remastered with 24 bit, with the inclusion of stray previously unreleased tracks that had surfaced on the The Doors: Box Set series, on disc seven.

It’s impossible to have a conversation about the power metal revival of the early millennial era without Freedom Call receiving at least a passing mention. They stood apart from the pack of German speed metal informed acts by taking the lighter elements of Helloween’s Keepers Of The Seven Keys sound to their logical conclusion, almost to the point of coming off as AOR with an occasional Gospel flavor played at a faster tempo. The magic that made their unique take on the style so auspicious laid mostly in guitarist/vocalist Chris Bay’s prowess as a studio engineer (he simultaneously gave Saxon’s 1999 smash album Metalhead an upgrade with his capability on the keyboards) and his uniquely light and airy voice, though the driving fury of Dan Zimmerman’s kit work and his then ongoing stints with Gamma Ray and Iron Savior definitely helped to promote the Freedom Call brand from the get go…

J to tha L–O! The Remixes is a remix album by American singer Jennifer Lopez, released February 5, 2002 by Epic Records. It contains remixes from Lopez's first two studio albums: On the 6 (1999) and J.Lo (2001). It features artists including P. Diddy, Ja Rule, Fat Joe and Nas, and includes dance and hip hop remixes of past singles. It was Lopez's second album to feature a Parental Advisory warning, after J.Lo, and the last to have one until the release of her eighth studio album, A.K.A., in 2014. It garnered mixed reviews from music critics, but debuted atop the Billboard 200 in the United States, selling 156,000 copies in its opening week—the first remix album to reach the chart's top spot, and Lopez's second number-one album. The lead single "Ain't It Funny (Murder Remix)", featuring Ja Rule, reached number one on the Billboard Hot 100; and its second, "I'm Gonna Be Alright (Track Masters Remix)", reached the top ten. It also contained the song "Alive", which failed to chart. J to tha L–O! The Remixes became the fourth best-selling remix album of all time, after Michael Jackson, Madonna and Linkin Park's remix efforts. It has sold 1.5 million copies in the United States.

In his five Stanze, composed in 2016, Mauro Montalbetti openly declares his special affinity with the author of Boléro, placing him within the select circle of his greatest loves. What strikes one most is the refined and yet frank way in which this devotion is expressed in the music and is revealed in the writing, in the way it unfolds majestically, so to speak, across the staves and the pages. In other words one is struck not only audibly but also visually by the limpidity with which the five pieces pay homage to their source, namely Maurice Ravel’s Miroirs. Miroirs, that is mirrors. A title that at the time – we are in 1905 – encapsulated the genius with which the composer played with the ambiguities of symbolist and im-pressionist poetics, of the eternal torments concerning the expressive and semantic qualities of music. Because the mirror reflects, represents, but also deceives, creates illusions.

The Tubes - The A&M Albums 1975-1979 (2017) {5 Disc Boxset Caroline CAROLR063CD - with bonus tracks}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.86 Gb | MP3 @320 -> 598 Mb
Full Artwork @ 300 dpi (png) -> 199 Mb | 5% repair rar
© 1975-79, 2017 A&M Records / Caroline International | CAROLR063CD
Rock / Pop Rock / New Wave / Glam Rock / Experimental Rock / Dance Rock

"‘The A&M Years’ is a 5 CD, 59 track round up of The Tubes time with A&M Records between 1975-79, which includes the self titled debut album which gave them a worldwide hit in ‘White Punks On Dope’. Each disc comes in a replica cardboard wallet of its original LP artwork. Follow ups ‘Young And Rich’, ‘Now’, and the Todd Rundgren produced ‘Remote Control’. Always a sensational live act, the in-concert album ‘What Do You Want From Live’ completes the set. Housed in a sturdy box, each disc comes in a replica cardboard wallet of its original LP artwork along with a booklet containing pictures of all the records plus in-depth liner notes by Classic Rock’s Dave Everley."