L.k. Brass

German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained relatively undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk that brought in electronic musical instruments and often lacked the iconic "four-on-the-floor" beat.

Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.

New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.09 Gb | MP3 @320 -> 1.54 Gb
Full Artwork @ 600 dpi (jpg) -> 520 Mb | 5% repair rar
© 1923-87, 1997 New York Philharmonic | NYP 9701
Classical / Orchestral / Concerto / Symphony

Culled from New York Philharmonic broadcasts spanning 75 years, this remarkable 10-disc compilation testifies to the strong-willed yet chameleon-like orchestra's virtuosity and versatility under a diverse assemblage of podium personalities. Stylistically speaking, the earlier items are the most interesting, revealing, for instance, a more vibrant Otto Klemperer and freer Arturo Toscanini than their later commercial efforts sometimes suggest. Other artists are heard in repertoire which they otherwise didn't record: Fritz Reiner's Brahms 2nd, Leonard Bernstein's Berg and Webern, and a wrenching concert version of Bartók's Bluebeard's Castle under Kubelík's direction, to name but a few. From program notes to transfer quality, not one stone is left unturned to ensure first-rate results.

Essential: a masterpiece of prog rock music
Second album from this English brass rock band, that was a bit the answer to Chicago Transit authority mixed with some Caravan and some Dutch/Holland Solution. Actually it is interesting to note that England had The Greatest Show On Earth, If and Warm Dust (and to a lesser extent Colosseum) to answer to American’s giants of brass rock (which automatically induced a jazz feel without being the typical jazz-rock): Blood Sweat & Tears, Chicago, Electric Flag and The Flock.

Decades before Corey Harris, Guy Davis, and Keb' Mo' wed the Delta blues to various folk forms, there was Taj Mahal. Almost from the very beginning, Mahal provided audiences with connections to a plethora of blues styles. Further, he offered hard evidence connecting American blues to folk styles from other nations, particularly, but not limited to, those from the West Indies and various African countries, bridging gaps, highlighting similarities, and establishing links between many experiences of the African diaspora…

This new 4CD / 1DVD Super Deluxe Box Set version comprises a host of bonus material including; B-sides and extended mixes; BBC sessions; a previously unreleased Glasgow Barrowlands concert; promo videos; Top Of The Pops and Oxford Road Show footage; a booklet containing sleeve notes and interviews plus track by track annotation and a reproduction concert programme…

'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1970 to 1979.

The Network Media Cooperative (Network Medien-Cooperative) was founded in October 1979 – by April 1990 we had already issued 19 titles, at the time as audio-cassettes with a comprehensive booklet in a small package that looked like a chocolate box. The covers and layouts were produced using Letraset on a light-table installed over a bath tub. Among those first records were the musical themes that were to preoccupy us for 30 years: an extensive document of the “Gypsies Music Festival”; meanwhile the music of the Roma has been documented on numerous Network CDs, including the anthology “Road of the Gypsies” (often copied but never achieving the same level). A double musíccasette packet was devoted to cult music from Haiti and the sounds and life philosophy of the Rastafarians in Jamaica. Recording trips were undertaken, among others, to Cuba, Trinidad, St. Lucia, and Curacao, but also to Latin America, Brazil, Argentina, Ecuador, Venezuela, Colombia, Belize. We also approached the music worlds of Africa in our portrait of the South African pianist and vocalist Dollar Brand (today Abdullah Ibrahim) and in the first studio recordings of Soukous music. These were followed by trips to Liberia, Senegal, Mali, Tanzania, Zanzibar.