Led For Plant

For all of the acclaim it received, there's no denying that No Quarter was a tentative reunion for Page & Plant, containing only a handful of new songs that were scattered among many reworked old favorites. Since its supporting tour went well, the duo decided to make their reunion permanent, setting to work on an album of entirely new material. Taking the world music dabblings of No Quarter as a cue, Page & Plant tempered their eclecticism with a healthy dose of their monolithic guitar army, hiring Steve Albini, the indie rock producer notorious for his harsh, brutal recordings, to helm the boards. In other words, it sounds perfect on paper - groundbreaking veteran artists still taking chances and working with younger collaborators who would challenge them…

Ever since Led Zeppelin parted ways after the death of drummer John Bonham, fans were clamoring for the mighty band to reunite. This willfully ignored both the vital contribution Bonham gave to the group's mystique and Zeppelin's woeful one-off reunion at the 1985 Live Aid charity concert, but the legend of the band was so strong, reunion rumors reached a fever pitch whenever vocalist Robert Plant or guitarist Jimmy Page had a new album in the stores. In 1994, following Plant's moody, misunderstood 1993 album Fate of Nations and Page's widely lambasted collaboration with Whitesnake singer David Coverdale, the two quietly reunited to record a concert for MTV's then-popular acoustic concert series Unplugged…

At their best, cover albums have a strange way of galvanizing an artist by returning to the songs that inspired them; the artists can find the reason why they made music in the first place, perhaps finding a new reason to make music. Robert Plant's Dreamland - his first solo album in nearly ten years and one of the best records he's ever done, either as a solo artist or as a member of Led Zeppelin - fulfills that simple definition of a covers album and goes beyond it, finding Plant sounding reinvigorated and as restless as a new artist. Part of the reason why this album works so well is that he has a new band – not a group of supporting musicians, but a real band whose members can challenge him because they tap into the same eerie, post-folk mysticism that fueled Led Zeppelin III, among other haunting moments in the Zep catalog…

Robert Anthony Plant CBE (born 20 August 1948) is a British singer and songwriter, best known as the lead singer and lyricist of the English rock band Led Zeppelin…

On Mighty Rearranger, the core of the band Robert Plant showcased on 2002's Dreamland - and named the Strange Sensation - is a full-blown expanded lineup that shares the bill with him. Guitarists Justin Adams and Skin Tyson, drummer Clive Deamer, keyboardist John Baggot, and bassist Billy Fuller help Plant give listeners his most musically satisfying and diverse recording since, well, Led Zeppelin's Physical Grafitti. The reference is not a mere platitude to Plant's pedigree. The songs, production, and sequencing of the album overtly incorporates those sounds as well as those of Eastern modalism, Malian folk, guitar rock, R&B, and others, for inspiration - and why shouldn't they? Mighty Rearranger opens with "Another Tribe," a sociopolitical ballad that touches upon the textural string backdrops from Zep's "Kashmir" and is fueled by Moroccan bendir drums…

After years of trying to separate himself from his legendary status as Led Zeppelin's frontman, Robert Plant finally reconciles with his past on Now & Zen. He borrows a few Zeppelin riffs, and even enlists Jimmy Page to play guitar on his hit "Tall Cool One." This album is also notable in that it marks his first collaboration with keyboardist Phil Johnstone, who would continue to play and write with Plant on subsequent albums. Musically, the album relies on standard rock arrangements except that the vocals and drums are at the forefront and keyboards instead of guitars are used to fill out the sound. Although most of the album is comprised of mid-tempo songs aimed at rock radio, Plant includes the lovely ballad "Ship of Fools," which demonstrates that he is more than capable of vocal subtlety…

Nowadays, what's the point of chronicling this "Remasters" when the group released "Mothership" in 2007, which makes it obsolete? Because this record is historic. It is the first to be officially released under the LED ZEPPELIN name since "Coda" in 1982. The 1985 reformations for Live Aid and the 1988 reformation for the 40th anniversary, with Jason Bonham behind the sons, son of the late John n ' will have been occasional and here, there is no place for a fanfare of the Airship. Jimmy Page just wanted to deliver a compilation worthy of the name years after the band's smashing debut, years after a half-hearted ending. How many of you have known LED ZEPPELIN with this "Remasters"? How many of you have had a breath of nostalgia when you saw this cover?