The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed into music by the composer with gripping, immediate, expressive force, free of graphic patterns. A moment of glory not for Gubaidulina only, but for David Geringas on cello, too. And as a bonus on this CD: Diez Preludios –Ten Preludes for Cello, in Vladimir Tonkha’s equally inspired interpretation. Both cellists are the dedicatees of the works they perform.
Before the early 20th century, any list of significant Western composers would have included Benedetto Marcello. Through his advocacy of a return to the proportional values and simplicity of ancient Roman civilization, he helped set the stage for the Classical era in Western music, soon to unseat the aesthetic norms of the Baroque in which he lived.
In the early 1990s, the group was formed – initially under the name “Die Knödel” – from the environment of the Innsbruck music academy and a young folk music scene. Christof Dienz was already interested in the music of his Tyrolean homeland, and invited his friends, all with a family background in folk music, to record a couple of pieces he had composed. At a concert in Utopia in Innsbruck, music manager Christoph Moser noticed the group and took on their management. Performances in Europe, North America, Japan and Russia followed, as well as film music and five CDs, until in autumn 2000, after 8 years, they ran out of steam. Everyone went their own way and built their own career.