Lenny Castro

From the moment he picks up his guitar, Thom Rotella's passion for music is palpable. Every phrase is crafted with intuitive care and precision that reflect a total commitment to his art. Each performance is an intimate journey into the expressive potential of jazz, where every chord tells a story and every solo speaks directly to the listener. Beyond his solo work, Rotella's collaborations with legendary artists and contributions to various projects cover an extraordinarily wide spectrum of music and entertainment heavy-hitters including Stanley Turrentine, Tommy Tedesco, Frank Sinatra, Burt Bacharach, Bette Midler and countless others.

From the moment he picks up his guitar, Thom Rotella's passion for music is palpable. Every phrase is crafted with intuitive care and precision that reflect a total commitment to his art. Each performance is an intimate journey into the expressive potential of jazz, where every chord tells a story and every solo speaks directly to the listener. Beyond his solo work, Rotella's collaborations with legendary artists and contributions to various projects cover an extraordinarily wide spectrum of music and entertainment heavy-hitters including Stanley Turrentine, Tommy Tedesco, Frank Sinatra, Burt Bacharach, Bette Midler and countless others.

You might think that Castro's first album recorded for mighty blues indie Alligator – and twelfth overall – would mark a departure for this longtime rocking soulman. Despite a fuller sound, fleshed out with Lenny Castro's percussion and boosted by an ever-present horn section led by longtime cohort Keith Crossan, this is another typically solid effort from the singer/guitarist. Perhaps it's unfair to expect that Castro would somehow break free of, expand, or alter the blue-collar persona he has cultivated over his solo career as he shifts to a higher-profile label affiliation. Veteran producer/musician John Porter returns to join Castro's strong, husky vocals – a cross between Delbert McClinton, James Brown, and Bob Seger – to a rather slick, radio-friendly approach that buffs off the frontman's natural grit, arguably overly so.

Jose James - Lean On Me (2018) {Blue Note} (Complete Arwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 332 Mb | MP3 @320 -> 130 Mb
Full Artwork @ 600 dpi (jpg) -> 53 Mb | 5% repair rar
© 2018 Blue Note / Universal | 00602567737353
Jazz / R&B / Jazz Funk / Soul Jazz / Soul

The root of Lean on Me is in a Bill Withers medley that became part of José James' set lists. It went down so well that Blue Note boss Don Was convinced the singer to take it a step farther with a studio album of songs by Withers, the everyman soul paragon who started late – 32 in 1971, when his first LP was released – and finished early. Withers' '80s exit was so uncommonly abrupt and final that neither a documentary nor a Rock and Roll Hall of Fame induction has prevented the general public from sending "When did Bill Withers passed [sic] away?" to the top of the "People also ask" chart generated by Googling the name.

By the time this was released in 2001, John Mayall was more known for the people who played in his seminal British band, the Bluesbreakers rather than his own accomplishments. The success of 1999's Padlock on the Blues afforded Mayall the opportunity to fulfill his dreams and gather an all-star lineup of blues and rock luminaries…

Rhino repackaged and re-released five George Duke LPs on Warner Bros. – Snapshot, Illusions, Is Love Enough?, After Hours, and Cool – as a slipcased box set. It's not a bad way to acquire the albums if you don't already own them, but isn't recommended for the casual fan.

The Pecan Tree is a collection of 11 compositions from master pianist/composer Joe Sample that were inspired by his Southeast Texas roots and influences. As a founding member of the pioneering quartet the Jazz Crusaders and as a solo artist, the pianist has created an impressive musical style based upon his early appreciation for jazz, gospel, soul, bebop, blues, Latin, and classical music. The Pecan Tree features many of those musical genres performed with such special guests as Lenny Castro and Paulinho da Costa on percussion, renowned R&B vocalist Howard Hewett, and newcomer Lizz Wright. Sample's Quintet kicks off the set with the title track, a Latin-tinged mid-tempo instrumental that features Sample's beautiful melodicism in harmony with the percussive mastery of Lenny Castro. The ensemble brings their creativity ingenuity to "Hot and Humid," a sweltering musical story of the region's weather condition.