From a composer whose vast output plunders the stylistic gamut of western musical history and then some, here is a single movement requiem full of clean lines and troubled introspection. Et Lux is a 2009 composition for voices and string quartet in which Rihm dwells on certain phrases of the Latin death mass – particularly the notion of eternal light, which he calls “comforting yet deeply disturbing”. The same could be said of Et Lux as a whole. Tropes waft in from across the ages: this music treads the line of tangibility, with sudden rushes of anger or fondness and the messy half-memories that come with grief. The strings complete phrases that the singers can’t seem to summon. Conductor Paul van Nevel doubles the vocal parts to create broad, generous textures that sound lovely and lush against the strings’ icy clarity – all qualities that ECM’s engineers are expert at capturing.
Boogie-woogie pianist Meade Lux Lewis' next-to-last record was his first recording in five years and his final opportunity to stretch out unaccompanied. This solo Riverside set as usual finds Lewis generally sticking to the blues (with "You Were Meant for Me" and "Fate" being exceptions), mostly performing originals. On a few of the songs Lewis switches effectively to celeste. It apparently only took Meade Lux Lewis two hours to record the full set and the results are quite spontaneous yet well organized, a fine all-around portrait of the veteran pianist in his later period.