La Bonne The Corruption (1986)

Now entering a half-decade, Emotional Rescue presents an album that took almost as long to release as the label has existed. Jorge Reyes’ collaborative album with Antonio Zepeda is a masterpiece and therefore, worthy of the time and effort to share.
From cult artist to becoming an essential musical discovery, Jorge Reyes is an example that no one discovered or owns the music beyond the writer and creator.
Growing up in Mexico’s 2nd City, he spent much of his life dedicated to travelling and learning music traditions and instruments. While at University to study Flute, he was involved in several influential bands of the era before going on to travel the world to further his learning, before returning to found the seminal Chac Mool group…

Andreas Vollenweider's Grammy-winning 1987 effort is dominated by the Swiss musician's electrically modified harp. Its distinctive sound runs throughout the album, supported by the usual tinkering synthesizer effects and light percussion. After an extended introductory interlude, the title track zips into a vaguely Caribbean-styled rhythm…

The Bridge is the tenth studio album by American singer-songwriter Billy Joel, released on July 28, 1986. It was the last studio album produced by Phil Ramone as well as the last to feature Joel's long-time bassist Doug Stegmeyer and rhythm guitarist Russell Javors. The album yielded several successful singles, including "A Matter of Trust" (peaking at No. 10), "Modern Woman" (which also appeared on the Ruthless People soundtrack, peaking at No. 10), and "This Is the Time" (peaking at No. 18). Joel began work on the album — on which two of his major influences (Ray Charles and Steve Winwood) made guest appearances — in 1985. Charles sang a duet with Joel on the song "Baby Grand", and Winwood played Hammond organ on the song "Getting Closer".

It's never easy to be the sibling of a star when you're active in the same profession – ask Joey Travolta or Frank Stallone, and try to find out what happened to John Murray, one of Bill's brothers. Similarly, David Knopfler, younger brother of Dire Straits frontman Mark Knopfler, has often remained in his brother's shadow, unfairly remaining a footnote in the famous British band's history and not always gaining much recognition for his solo work – provided people know he's remained active in music at all. The comparison to the abovementioned actors is misleading, however, since they all possess little of their siblings' talent, whereas David Knopfler has proven himself to be a talented musician with considerable songwriting skills of his own and several strong solo releases under his belt.

Besides being noteworthy as an astonishingly good all-covers album, Kicking Against the Pricks is notable for the arrival of a new key member for the Seeds, drummer Thomas Wydler. Besides being a fine percussionist, able to perform at both the explosive and restrained levels Cave requires, Wydler also allowed Harvey to concentrate on adding guitar and keyboards live as well as in the studio, a notable bonus. Race reappears briefly to add some guitar while former Birthday Party cohorts Rowland Howard and Tracy Pew guest as well, the latter on some of his last tracks before his untimely death. The selection of songs is quite impressive, ranging from old standards like "Long Black Veil" to everything from John Lee Hooker's "I'm Gonna Kill That Woman" and Gene Pitney's pop aria "Something's Gotten Hold of My Heart." Matching the range of material, the Seeds are well on their way to becoming the rock/cabaret/blues showband of Cave's dreams, able to conjure up haunting, winsome atmospheres ("Sleeping Annaleah") as much as higher-volume takes (Roy Orbison's "Running Scared," the Velvet Underground's "All Tomorrow's Parties").

Fight side by side! We're strong enough. We're gonna win. Fight for your right. Fight for your right to listen to fist-pumping, guitar-crunching metal, my friends. And you'll find it here on the only release from Fortuner…