Lady be Good

Life of Oharu features Kinuyo Tanaka in the title role. Oharu is a middle-aged prostitute in 17th century Japan. As she prays before a statue of Buddha, Oharu reviews her past. Her road to degradation began when, as a teenager, she disgraced her family by falling in love with a samurai (Toshiro Mifune). Oharu became the mistress of a prince, who cast her off after she bore his son. She was then sold into prostitution by her father, and thus began a catch-as-catch-can existence alternating between brief happiness with those she genuinely loved and servitude to those she despised. A potential happy ending, reuniting her with her royal son, is dashed by the much-maligned Oharu herself, who opts for the life of a beggar. Directed by Kenji Mizoguchi, a lifelong advocate of equitable treatment for Japanese women, Life of Oharu was adapted from a novel by Saikaku Ibara.

A superb cast brings Oscar Wilde's classic comedy of manners to life in the third big-screen adaptation of this hilarious look at fun, games, and dubious ethics among the British upper crust. Algernon Moncrieff (Rupert Everett) is a slightly shady, but charming gentlemen from a wealthy family who has a bad habit of throwing his money away. Algernon has a close friend named Jack Worthing (Colin Firth), a self-made man who acts as a ward to his cousin, a beautiful young lady named Cecily (Reese Witherspoon). Algernon has created an alter ego to help him get out of tight spots brought on by his financial improprieties, and when he learns that Jack has created a false identity of his own – Earnest, a brother living in London whose exploits have earned him no small amount of notoriety – Algernon arrives for a weekend visit in the country posing as the mysterious Earnest.

he pathologically adorable Shirley Temple provides a neat escape hatch from modern movies' irony and cynicism in Dimples, a 1936 classic about a down-and-out 6-year-old busker sharing a squalid Bowery flat with her scoundrel of a grandfather, the Professor. When Dimples and her posse of ragamuffin performers score a gig at a rich old lady's party, the thieving Professor pulls the plug on everyone's good time by five-fingering the guests' furs. Dimples is nabbed but negotiates her freedom from fat-cat hostess Caroline with nothing more than her cuteness. Indeed, the lonely widow is so smitten by Dimples that soon she's offering the money-grubbing but goodhearted Professor five grand for the girl. No amount of money, of course, could buy the precocious Dimples from her grandpa, whom she considers "a gentleman and a scholar," but when he winds up in a heap of trouble for letting $800 slip through his fingers–money that was supposed to go toward costumes for a play in which Dimples stars–his only hope is to cash in on Caroline's desire for Dimples. The great Bill Robinson directs all Temple's dance numbers, none of which dashes nostalgic viewers' notions that a dose of sugar and spice and everything nice needn't be nothing special. Even those overly susceptible to sneering will succumb to this film's sweetness. The black and white film is also available in a colorized version.

Tammy La Gorce