Lalo+schifrin

A movie as appealing and savory as the heaping piles of dinosaur sh*t that pass for its sight gags, 1980's Caveman ranks among the worst bombs Hollywood ever produced. Though a vehicle for Ringo Starr, the erstwhile Beatle did not record the film's soundtrack, with that, uh, "honor" going to the great screen composer Lalo Schifrin. Somehow Schifrin manages to rise above it all – especially given the circumstances, his Caveman score ain't half bad: though its epic sweep would have been far better suited for a movie worth watching, this is the kind of melodramatic score harking back to Hollywood's golden era, complete with eruptions of brass and strings. And in keeping with the prehistoric plot, there's even a tribal energy to the percussion – sounds silly, but it works.

Lalo Schifrin - The Bossa Nova & Latin Albums (2015) {2CD Set Malanga Music MM828 rec 1955-1962}
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© 1955-62, 2015 Malanga Music | MM828
Jazz / Bop / Latin Jazz / Bossa Nova / Piano

Recorded 1955, 1959, 1962. This set presents five complete albums from the initial years of Lalo Schifrin's career as a leader: "Lalo=Brilliance: The Piano of Lalo Schifrin" (Roulette SR 52088); "Bossa Nova: New Brazilian Jazz (Audio Fidelity AFLP-1981)"; "Insensatez [aka Piano, Strings & Bossa Nova] (MGM SE-4110); "Piano Español: The Magic Touch of Lalo Schifrin, His Piano & Orchestra" (Tico LP-1070), and "Rendez-Vous Dansant a Copacabana" (Vogue LD-236). Born in Argentina, Schifrin was gaining fame as a member and arranger of Dizzy Gillespie's Quintet and Big Band during these formative years. He is backed on these albums by such important guitarists as Jim Hall and Jimmy Raney, plus the brilliant saxophonist Leo Wright from Gillespie's formation.

Lalo Schifrin - THX 1138 (1970) {Warner–FSM Vol. 6 No. 4 rel 2003}
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© 1970, 2003 Warner Bros. / Film Score Monthly | FSM Vol. 6 No. 4
Modern Classical / Experimental / Stage & Screen

Most of us know Lalo Schifrin for his jazz music and scores to Dirty Harry and Bullitt. That's how I first became aware of him and found other scores of his over the years that are completely different. THX 1138 is definitely one of those scores. Sure there are some jazz cues in here but mostly this score is more laid back, in a sense that is underscores the forbidden romance and mystery of the world this movie projects.

Lalo Schifrin - My Life In Music (2012) {4CD Box Set Aleph Records 047}
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© 2012 Aleph Records | 047
Jazz / Classical / Jazz / Stage & Screen / Soundtracks / Bop / Chamber Music

Aleph Records is proud to release Lalo Schifrin: My Life in Music, a four-CD boxed set of music from the legendary composer's career in film, jazz, and classical music. The set features music from three-dozen films, jazz and symphonic pieces composed by Schifrin, and unreleased music from films including Charley Varrick, The Beguiled, Joe Kidd, and Coogan's Bluff. Along with over five hours worth of music, a forty-eight page book is included with archival photos and notes.

Lalo Schifrin - Dirty Harry (1971) {Aleph Records 030 rel 2004)
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© 1971, 2004 Aleph Records 030
Jazz / Stage & Screen / Jazz Funk / Fusion

Flush with popular successes that spanned film (the Oscar nominated score for Cool Hand Luke Bullitt ) and TV (the Grammy-winning Mission: Impossible, Mannix) Argentine-born composer Lalo Schifrin infused director Don Siegel's original, epochal Dirty Harry with one of the 70's most riveting, consistently original jazz-fusion scores. It was also one that, until now, was only available in mono-mixed snippets on obscure compilations; this release marks the full-score's first, three-decade-overdue release (remixed in stereo for the first time and including alternate takes).

Lalo Schifrin - There's A Whole Lalo Schifrin Goin' On (1968) {Dot Records–Universal 5342938 rel 2013}
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© 1968, 2013 Dot Records / EmArcy / Universal | 534 293 8
Jazz / Third Stream / Piano / Modern Post Bebop / Stage & Screen / Modern Arrangement

Though it may seem unlikely that Frank Zappa had much of an influence on the work of Lalo Schifrin, one can detect some cultural crossover on There's a Whole Lalo Schifrin Goin' On. Schifrin was as much a jazz-pop genius as ever, but on this album rock rhythms, musical satire, sound effects, and exotica are all used as camp in a way that is eerily reminiscent of Zappa's more thoughtful efforts. Schifrin being Schifrin, every cut has a distinct and catchy melody, but there are whimsical and satirical themes embedded in the music. Nowhere is this more obvious than in "Hawks Vs. Doves," in which a cheery carnival-like theme is played in counterpoint to a martial air, each interfering with the other.